A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture—and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history—one with profound implications for global culture in the present day.

There are over 7,000 botanical illustrations in the collections of the National Museums & Galleries of Wales, now comprehensively catalogued for the first time

Romanticism was a cultural and intellectual movement characterized by discovery, revolution, and the poetic as well as by the philosophical relationship between people and nature. Botany sits at the intersection where romantic scientific and literary discourses meet. Clandestine Marriage explores the meaning and methods of how plants were represented and reproduced in scientific, literary, artistic, and material cultures of the period. Theresa M. Kelley synthesizes romantic debates about taxonomy and morphology, the contemporary interest in books and magazines devoted to plant study and images, and writings by such authors as Mary Wollstonecraft and Anna Letitia Barbauld. Period botanical paintings of flowers are reproduced in vibrant color, bringing her argument and the romantics' passion for plants to life. In addition to exploring botanic thought and practice in the context of British romanticism, Kelley also looks to the German philosophical traditions of Kant, Hegel, and Goethe and to Charles Darwin's reflections on orchids and plant pollination. Her interdisciplinary approach allows a deeper understanding of a time when exploration of the natural world was a culture-wide enchantment. -- Alan John Bewell, University of Toronto

Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.

When, how, and why did the Himalaya become the highest mountains in the world? In 1800, Chimborazo in South America was believed to be the world's highest mountain, only succeeded by Mount Everest in 1856. Science on the Roof of the World tells the story of this shift, and the scientific, imaginative, and political remaking needed to fit the Himalaya into a new global scientific and environmental order. Lachlan Fleetwood traces untold stories of scientific measurement and collecting, indigenous labour and expertise, and frontier-making to provide the first comprehensive account of the East India Company's imperial entanglements with the Himalaya. To make the Himalaya knowable and globally comparable, he demonstrates that it was necessary to erase both dependence on indigenous networks and scientific uncertainties, offering an innovative way of understanding science's global history, and showing how geographical features like mountains can serve as scales for new histories of empire.

In The Scottish Enlightenment Abroad, Janet Starkey examines the careers of Alexander and Patrick Russell and family in Aleppo and India. By re-examining recent interpretations, Starkey argues that the Scottish Enlightenment was a cultural revolution not just a philosophy.