This is a far-ranging study which contextualises both the historical figure of Harriet Jacobs and her autobiography as a created work of art.

Harriet Jacobs' narrative of a life as a slave girl is unabridged, and contains an additional annotation at the start of the book. This section aims to give the reader an historical context, and contains a brief History of Slavery in America, and the Abolishment of Slavery. This will help set the stage for Harriet Ann Jacobs autobiography that is to follow: "I am aware that some of my adventures may seem incredible; but they are, nevertheless, strictly true. I have not exaggerated the wrongs inflicted by Slavery; on the contrary, my descriptions fall far short of the facts. I have concealed the names of places, and given persons fictitious names. I had no motive for secrecy on my own account, but I deemed it kind and considerate towards others to pursue this course. When I first arrived in Philadelphia, Bishop Paine advised me to publish a sketch of my life, but I told him I was altogether incompetent to such an undertaking. Though I have improved my mind somewhat since that time, I still remain of the same opinion; but I trust my motives will excuse what might otherwise seem presumptuous. I have not written my experiences in order to attract attention to myself; on the contrary, it would have been more pleasant to me to have been silent about my own history. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is. Only by experience can any one realize how deep, and dark, and foul is that pit of abominations. May the blessing of God rest on this imperfect effort in behalf of my persecuted people!" --Linda Brent (Pseudonym used by Harriet Ann Jacobs)

Although millions of African American women were held in bondage over the 250 years that slavery was legal in the United States, Harriet Jacobs (1813-97) is the only one known to have left papers testifying to her life. Her autobiography, Incidents in the Life of a Slave Girl, holds a central place in the canon of American literature as the most important slave narrative by an African American woman. Born in Edenton, North Carolina, Jacobs escaped from her owner in her mid-twenties and hid in the cramped attic crawlspace of her grandmother's house for seven years before making her way north as a fugitive slave. In Rochester, New York, she became an active abolitionist, working with all of the major abolitionists, feminists, and literary figures of her day, including Frederick Douglass, Lydia Maria Child, Amy Post, William Lloyd Garrison, Susan B. Anthony, Harriet Beecher Stowe, Fanny Fern, William C. Nell, Charlotte Forten Grimke, and Nathan Parker Willis. Jean Fagan Yellin has devoted much of her professional life to illuminating the remarkable life of Harriet Jacobs. Over three decades of painstaking research, Yellin has discovered more than 900 primary source documents, approximately 300 of which are now collected in two volumes. These letters and papers written by, for, and about Jacobs and her activist brother and daughter provide for the thousands of readers of Incidents--from scholars to schoolchildren--access to the rich historical context of Jacobs's struggles against slavery, racism, and sexism beyond what she reveals in her pseudonymous narrative. Accompanied by a CD containing a searchable PDF file of the entire contents, this collection is a crucial launching point for future scholarship on Jacobs's life and times.

Incidents in the Life of a Slave Girl is an autobiography by a young mother and fugitive slave published in 1861 by L. Maria Child, who edited the book for its author, Harriet Ann Jacobs. Jacobs used the pseudonym Linda Brent. The book documents Jacobs' life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues."[1] She explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children when their children might be sold away. Jacob's book is addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution.Jacobs began composing Incidents in the Life of a Slave Girl after her escape to New York, while living and working at Idlewild, the Hudson River home of writer and publisher Nathaniel Parker Willis.[2] Portions of her journals were published in serial form in the New-York Tribune, owned and edited by Horace Greeley. Jacobs' reports of sexual abuse were deemed too shocking for the average newspaper reader of the day, and publication ceased before the completion of the narrative. Boston publishing house Phillips and Samson agreed to print the work in book form if Jacobs could convince Willis or abolitionist author Harriet Beecher Stowe to provide a preface. She refused to ask Willis for help and Stowe never responded to her request. The Phillips and Samson company closed.[3] Jacobs eventually signed an agreement with the Thayer & Eldridge publishing house, and they requested a preface by abolitionist Lydia Maria Child, who agreed. Child also edited the book, and the company introduced her to Jacobs. The two women remained in contact for much of their remaining lives. Thayer & Eldridge, however, declared bankruptcy before the narrative could be published. Lydia Maria Francis Child (born Lydia Maria Francis) (February 11, 1802 - October 20, 1880), was an American abolitionist, women's rights activist, Native American rights activist, novelist, journalist, and opponent of American expansionism. Her journals, both fiction and domestic manuals reached wide audiences from the 1820s through the 1850s. At times she shocked her audience as she tried to take on issues of both male dominance and white supremacy in some of her stories. Despite these challenges, Child may be most remembered for her poem "Over the River and Through the Wood." Her grandparents' house, which she wrote about visiting, was restored by Tufts University in 1976 and stands near the Mystic River on South Street, in Medford, Massachusetts.

In 1861, Harriet Jacobs became the first formerly enslaved African American woman to publish a book-length account of her life. In crafting her coming-of-age story, she insisted upon biographical accuracy and bold creativity—telling the truth while giving herself and others fictionalized names. She also adapted conventions from two other popular genres: the sentimental novel and the slave narrative. Then, despite facing obstacles not encountered by white women and Black men, she orchestrated the book’s publication and became a traveling bookseller in an effort to inspire passive Americans to support the abolition of slavery. Engaging with the latest research on Jacobs’s life and work, this edition helps readers to understand the magnitude of her achievement in writing, publishing, and distributing her life story. However, it also shows how this monumental accomplishment was only the beginning of her contributions, given her advocacy work over the nearly forty years that she lived after its publication. As a survivor of sexual abuse who became an advocate, Jacobs laid a foundation for activist movements such as #BlackLivesMatter and #MeToo. This edition also features six appendices, placing at readers’ fingertips resources that further illuminate the issues raised by Jacobs’s remarkable life and legacy.

For the first time--the complete story of the life and times of the most important black woman writer of the 19th century.