The Incas carried out some of the most dramatic ceremonies known to us from ancient times. Groups of people walked hundreds of miles across arid and mountainous terrain to perform them on mountains over 6,096 m (20,000 feet) high. The most important offerings made during these pilgrimages involved human sacrifices (capacochas). Although Spanish chroniclers wrote about these offerings and the state sponsored processions of which they were a part, their accounts were based on second-hand sources, and the only direct evidence we have of the capacocha sacrifices comes to us from archaeological excavations. Some of the most thoroughly documented of these were undertaken on high mountain summits, where the material evidence has been exceptionally well preserved. In this study we describe the results of research undertaken on Mount Llullaillaco (6,739 m/22,109 feet), which has the world's highest archaeological site. The types of ruins and artifact assemblages recovered are described and analyzed. By comparing the archaeological evidence with the chroniclers' accounts and with findings from other mountaintop sites, common patterns are demonstrated; while at the same time previously little known elements contribute to our understanding of key aspects of Inca religion. This study illustrates the importance of archaeological sites being placed within the broader context of physical and sacred features of the natural landscape.

Machu Picchu, recently voted one of the New Wonders of the World, is one of the world's most famous archaeological sites, yet it remains a mystery. Even the most basic questions are still unanswered: What was its meaning and why was it built in such a difficult location? Renowned explorer Johan Reinhard attempts to answer such elusive questions from the perspectives of sacred landscape and archaeoastronomy. Using information gathered from historical, archaeological, and ethnographical sources, Reinhard demonstrates how the site is situated in the center of sacred mountains and associated with a sacred river, which is in turn symbolically linked with the sun's passage. Taken together, these features meant that Machu Picchu formed a cosmological, hydrological, and sacred geological center for a vast region.

A fascinating exploration of the symbolism of mountains in the mythologies, religions, literature, and art of cultures around the world.

A collection of conference papers which present the principles and functions of ushnus, Inca sacred spaces, through history, archaeology and anthropology.

Johan Reinhard's discovery of the 500-year-old frozen body of an Inca girl made international headlines in 1995, reaching more than a billion people worldwide. One of the best-preserved mummies ever found, it was a stunning and significant time capsule, the spectacular climax to an Andean quest that yielded no fewer than ten ancient human sacrifices as well as the richest collection of Inca artifacts in archaeological history. Here is the paperback edition of his first-person account, which The Washington Post called "incredible…compelling and often astonishing" and The Wall Street Journal described as "… part adventure story, part detective story, and part memoir—an engaging look at a rarefied world." It's a riveting combination of mountaineering adventure, archaeological triumph, academic intrigue, and scientific breakthrough which has produced important results ranging from the best-preserved DNA of its age to the first complete set of an Inca noblewoman's clothing. At once a vivid personal story, a treasure trove of new insights on the lives and culture of the Inca, and a fascinating glimpse of cutting-edge research in fields as varied as biology, botany, pathology, ornithology and history, The Ice Maiden is as spellbinding and unforgettable as the long-dead but still vital young woman at its heart.

A groundbreaking work on how the topic of scale provides an entirely new understanding of Inca material culture Although questions of form and style are fundamental to art history, the issue of scale has been surprisingly neglected. Yet, scale and scaled relationships are essential to the visual cultures of many societies from around the world, especially in the Andes. In Scale and the Incas, Andrew Hamilton presents a groundbreaking theoretical framework for analyzing scale, and then applies this approach to Inca art, architecture, and belief systems. The Incas were one of humanity's great civilizations, but their lack of a written language has prevented widespread appreciation of their sophisticated intellectual tradition. Expansive in scope, this book examines many famous works of Inca art including Machu Picchu and the Dumbarton Oaks tunic, more enigmatic artifacts like the Sayhuite Stone and Capacocha offerings, and a range of relatively unknown objects in diverse media including fiber, wood, feathers, stone, and metalwork. Ultimately, Hamilton demonstrates how the Incas used scale as an effective mode of expression in their vast multilingual and multiethnic empire. Lavishly illustrated with stunning color plates created by the author, the book's pages depict artifacts alongside scale markers and silhouettes of hands and bodies, allowing readers to gauge scale in multiple ways. The pioneering visual and theoretical arguments of Scale and the Incas not only rewrite understandings of Inca art, but also provide a benchmark for future studies of scale in art from other cultures.

Launching the landmark Performing Landscapes series, Performing Mountains brings together for the first time Mountain Studies and Performance Studies in order to examine an international selection of dramatic responses to mountain landscapes. Moving between different registers of writing, the book offers a critical assessment of how the cultural turn in landscape studies interacts with the practices of environmental theatre and performance. Conceived in three main parts, it begins by unpicking the layers of disciplinary complexity in both fields, before surveying the rich history and practice of rituals, playtexts and site specific works inspired by mountains. The last section moves to a unique analysis of mountains themselves using key concepts from performance: training, scenography, acting and spectatorship. Threaded throughout is a very personal tale of mountain research, offering a handrail or alternative guide through the book.