With the war between the Mexican state and the drug traffickers operating within its borders having claimed over 70,000 lives since 2006, noted journalist and author Michael Deibert zeroes in on the story of the notorious Gulf Cartel, their deadly war with their former allies Los Zetas, the cartel's connections in Mexican politics and what its trajectory means for Mexico’s--and America’s--future. Punctuated by the disappearance of busloads of full of people from Mexican highways, heavy-weapon firefights in once-picturesque colonial towns and the discovery of mass graves, nowhere has the violence of Mexico’s drug war been more intense than directly across the border from East Texas, the scene of a scorched-earth war between two of Mexico’s largest drug trafficking organizations: The Gulf Cartel, a criminal body with roots stretching back to Prohibition, and Los Zetas, a group famous for their savagery and largely made up of deserters form Mexico's armed forces. From the valleys and sierras of rural Tamaulipas and Nuevo León to the economic hub of Monterrey, the violence rivals anything seen in the more well-known narco war in Ciudad Juárez, 830 miles to the west. Combining dozens of interviews that the author has conducted over the last six years in Mexico and other countries in the region along with a vast reserve of secondary source material, In the Shadow of Saint Death gives U.S. readers the story of the war being waged along our border in the voices of the cartel hitmen, law enforcement officials, politicians, shopkeepers, migrants and children living inside of it year-round. Through their stories, the book will pose provocative questions about the direction and consequence of U.S. drug policy and the militarized approach to combating the narcotics trade on both sides of the border.

A propulsive, compelling, and unsparing novel set in the grimly violent world of the human and drug trade on the US-Mexican border. On the outskirts of Juarez, Arturo scrapes together a living working odd jobs and staying out of sight. But his friend Faustino is in trouble: he’s stolen money from the narcos to smuggle his girlfriend and her baby into the US, and needs Arturo's help to get it back. To help his friend, Arturo must face the remorseless world of drug and human traffickers that surrounds him, and contend with a murky past. Hovering over his story is the unsparing divinity Santa Muerte, Saint Death—and the relentless economic and social inequalities that haunt the border between Mexico and its rich northern neighbor. Crafted with poetry and cinematic pace and narrated with cold fury, Saint Death is a provocative tour de force from three-time Printz Award honoree Marcus Sedgwick. This title has Common Core connections.

In the year 721, the Anglo-Saxon missionary St Boniface came with his followers to Hessia, a small but turbulent province on the borders of the expanding Frankish kingdom. This book is the first dedicated interdisciplinary study of Boniface's thirty-three-year mission among the Hessians. The author relates the historical sources to the rich archaeological heritage of the region in order to describe the political and cultural context of the mission and its relationship to long-term Frankish interests in the Saxon borderlands. Thanks to the survival of many letters between the missionary community and its supporters, it is also possible to examine a symbolic literary discourse that portrayed the missionaries as heroic exiles who chose to suffer torments in a distant land for the sake of Christ. Finally, fresh evidence drawn from topography and place names is used to argue for the existence of an expansive pre-Christian sacred landscape that was one of the major obstacles faced by Boniface and his followers. The result is an innovative study that brings history and archaeology into communication with the landscape, both real and imagined, in order to reconstruct a crucial moment in the conversion of Europe in all its complexity, ambiguity, and drama. Awarded the Josef Leinweber Prize 2009 by the Fulda Faculty of Theology.

Thieves, dangerous magic, and a weapon built with the power to destroy a god clash in this second novel of Gareth Hanrahan's acclaimed epic fantasy series, The Black Iron Legacy. "This is genre-defying fantasy at its very best... Insanely inventive and deeply twisted" (Michael R. Fletcher). Enter a city of spires and shadows . . . The Gutter Miracle changed the landscape of Guerdon forever. Six months after it was conjured into being, the labyrinthine New City has become a haven for criminals and refugees. Rumors have spread of a devastating new weapon buried beneath the streets - a weapon with the power to destroy a god. As Guerdon strives to remain neutral, two of the most powerful factions in the godswar send agents into the city to find it. As tensions escalate and armies gather at the borders, how long will Guerdon be able to keep its enemies at bay? "A groundbreaking and extraordinary novel . . . Hanrahan has an astonishing imagination" (Peter McLean). The Shadow Saint continues the gripping tale of dark gods and dangerous magic that began with Hanrahan's acclaimed debut The Gutter Prayer.

R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.

A secret sect of the Catholic Church, armed with an ancient book of the undead called The Gospel of Shadows, has been slowly destroying vampires for centuries. Now the book has been stolen, and the sect races to retrieve it before their purpose is discovered: a final purge of all vampires. As the line between saints and shadows grows ominously faint, private eye Peter Octavian is drawn into the search. And he'll do anything to find the book ... for Peter Octavian is also a vampire. Ostracized by his kindred for refusing to take part in the 'blood song', he cannot stand by and watch while they are destroyed. In a deadly game with a driven, sadistic assassin, the trail leads to Venice at the time of carnival, where the Defiant Ones, as the vampires are known, are engaged in a savage battle for their lives. Filled with plot twists, mystery, sex and violent death, Of Saints and Shadows is a spine-tingling thriller which opens the door to the world of The Shadow Saga.

A bold and beautifully written exploration of the “afterlife” of God, showing how apparently secular habits of mind in fact retain the structure of religious thought. Once in the West, our lives were bounded by religion. Then we were guided out of the darkness of faith, we are often told, by the cold light of science and reason. To be modern was to reject the religious for the secular and rational. In a bold retelling of philosophical history, Michael Rosen explains the limits of this story, showing that many modern and apparently secular ways of seeing the world were in fact profoundly shaped by religion. The key thinkers, Rosen argues, were the German Idealists, as they sought to reconcile reason and religion. It was central to Kant’s philosophy that, if God is both just and assigns us to heaven or hell for eternity, we must know what is required of us and be able to choose freely. In trying to live moral lives, Kant argued, we are engaged in a collective enterprise as members of a “Church invisible” working together to achieve justice in history. As later Idealists moved away from Kant’s ideas about personal immortality, this idea of “historical immortality” took center stage. Through social projects that outlive us we maintain a kind of presence after death. Conceptions of historical immortality moved not just into the universalistic ideologies of liberalism and revolutionary socialism but into nationalist and racist doctrines that opposed them. But how, after global wars and genocide, can we retain faith in any conception of shared moral progress and, if not, what is to become of the idea of historical immortality? That is our present predicament. A seamless blend of philosophy and intellectual history, The Shadow of God is a profound exploration of secular modernity’s theistic inheritance.