When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.

During a long and distinguished career, John Brinckerhoff Jackson (1909-1996) brought about a new understanding and appreciation of the American landscape. Hailed in 1995 by New York Times architectural critic Herbert Muschamp as 'America’s greatest living writer on the forces that have shaped the land this nation occupies,' Jackson founded Landscape Magazine in 1951, taught at Harvard University and the University of California at Berkeley, and wrote nearly 200 essays and reviews. This appealing anthology of his most important writings on the American landscape, illustrated with his own sketches and photographs, brings together Jackson’s most famous essays, significant but less well known writings, and articles that were originally published unsigned or under various pseudonyms. Jackson also completed a new essay for this volume, 'Places for Fun and Games,' a few months before his death. Focusing not on nature but on landscape - land shaped by human presence - Jackson insists in his writings that the workaday world gives form to the essential American landscape. In the everyday places of the countryside and city, he discerns texts capable of revealing important truths about society and culture, present and past. For this collection Helen Lefkowitz Horowitz provides an introduction that discusses the larger body of Jackson’s writing and locates each of the selected essays within his oeuvre. She also includes a complete bibliography of Jackson’s writings.

A collection of 14 essays by Hine (American history, Michigan State U.) from the past 14 years, covering African-American women's history. Topics include female slave resistance, Black migration to the urban Midwest, 19th-century Black women physicians, and the Black studies movement. Annotation copyright by Book News, Inc., Portland, OR

Pimp-controlled sex workers, exploited migrants, domestic servants, and sex trafficking of runaway and homeless youth are just a few of the many forms of sex trafficking and labor trafficking going on all around the world-including in the United States. This book exposes both well-known and more obscure forms of human trafficking, documenting how these heinous crimes are encountered in our daily lives. What types of human trafficking crimes are being committed here in the United States? Who are the victims of traffickers? How do we all unknowingly consume the services and products of slavery? And why are human traffickers able to maintain their illicit operations with relative impunity-indeed, with less than .01 percent of human traffickers ever being held accountable for their crimes? Hidden in Plain Sight: America's Slaves of the New Millennium documents how human trafficking and its byproducts touch every community in America, from impoverished inner-city neighborhoods to middle-class suburbs and alcoves of wealthy estates. It presents information derived from narrative accounts of real-life trafficking cases, interviews with convicted human traffickers, empirical research, and criminal case files to expose the grim realities of human trafficking in America, perpetrated by Americans. Readers will grasp the origins, evolution, and extent of the problem; understand how trafficking plays an unrecognized role in our day-to-day lives; and see why advancements in awareness and anti-trafficking resources have not changed the status quo. The victims of trafficking continue to be criminalized by law enforcement, and the offenders continue to exploit and profit from new recruits. This book equips readers with the knowledge needed to identify human trafficking cases and advocate for policy changes to end this scourge in America.

In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the "Athens of America," neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts. By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle but also a battleground for the freedom and autonomy of the spectator.

"A compelling and challenging work."—Frances K. Pohl, author of Framing America "Berger is unafraid to tackle the major issues, and this book shows it."—Bruce Robertson, author of Marsden Hartley and Reckoning with Winslow Homer "Berger, writing on topics as diverse as landscape photography and early film, pushes into fascinating issues of gender, race, and class with sensitivity, insight, and largely jargon-free analysis. Having made a mark as a key Eakins scholar, he promises to achieve a similar feat in Sight Unseen, getting us to rethink traditional material in a new light."—John Wilmerding, Christopher Binyon Sarofim Professor of American Art, Princeton University