In the 1960s, Mississippi was the heart of white southern resistance to the civil-rights movement. To many, it was a backward-looking society of racist authoritarianism and violence that was sorely out of step with modern liberal America. White Mississippians, however, had a different vision of themselves and their country, one so persuasive that by 1980 they had become important players in Ronald Reagan's newly ascendant Republican Party. In this ambitious reassessment of racial politics in the deep South, Joseph Crespino reveals how Mississippi leaders strategically accommodated themselves to the demands of civil-rights activists and the federal government seeking to end Jim Crow, and in so doing contributed to a vibrant conservative countermovement. Crespino explains how white Mississippians linked their fight to preserve Jim Crow with other conservative causes--with evangelical Christians worried about liberalism infecting their churches, with cold warriors concerned about the Communist threat, and with parents worried about where and with whom their children were schooled. Crespino reveals important divisions among Mississippi whites, offering the most nuanced portrayal yet of how conservative southerners bridged the gap between the politics of Jim Crow and that of the modern Republican South. This book lends new insight into how white Mississippians gave rise to a broad, popular reaction against modern liberalism that recast American politics in the closing decades of the twentieth century.

There are more older people in America today than ever before. They are our parents and grandparents, our aunts and uncles and in-laws. They are living longer, but in a culture that has come to worship youth--a culture in which families have dispersed, communities have broken down, and older people are isolated. Meanwhile, adults in two-career families are struggling to divide their time among their kids, their jobs, and their aging parents--searching for the right words to talk about loneliness, forgetfulness, or selling the house. Another Country is a field guide to this rough terrain for a generation of baby boomers who are finding themselves unprepared to care for those who have always cared for them. Psychologist and bestselling writer Mary Pipher maps out strategies that help bridge the gaps that separate us from our elders. And with her inimitable combination of respect and realism, she offers us new ways of supporting each other--new ways of sharing our time, our energy, and our love.

After Rufus Scott, an embittered and unemployed black jazz-musician commits suicide, his sister Ida and old friend Vivaldo become lovers. Yet their feelings for each other are complicated by Rufus's friends, especially the homosexual actor Eric Jones who has been Vivaldo's lover.

'Another Country' expands the possibilities of queer studies beyond the city limits, investigating the lives of rural queers across the United States, from faeries in the Midwest to lesbian separatist communes on the coast of Northern California.

Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.

If I were given five minutes with my younger self—that little girl who cried every time we had to leave for another country—I would hold her tight and not say a word. I would just be still and have her feel my beating heart, a thud to echo her own—a silent message that, no matter the outcome, she would survive and be stronger and happier than she might think as she stood at the threshold of each new home. Sisonke Msimang was born in exile, the daughter of South African freedom fighters. Always Another Country is the story of a young girl’s path to womanhood—a journey that took her from Africa to America and back again, then on to a new home in Australia. Frank, fierce and insightful, she reflects candidly on the abuse she suffered as a child, the naive, heady euphoria of returning at last to her parents’ homeland—and her disillusionment with present-day South Africa and its new elites. Sisonke Msimang is a bold new voice on feminism, race and politics—in her beloved South Africa, in Australia, and around the world. Sisonke Msimang was born in exile to South African parents—a freedom fighter and an accountant—and raised in Zambia, Kenya and Canada before studying in the US as an undergraduate. Her family returned to South Africa after apartheid was abolished in the early 1990s. Sisonke has held fellowships at Yale University, the Aspen Institute and the University of the Witwatersrand in Johannesburg, and is a regular contributor to the Guardian, Daily Maverick and New York Times. She now lives in Perth, Australia, where she is head of oral storytelling at the Centre for Stories. ‘Few of us have felt the grinding force of history as consciously or as constantly as Sisonke Msimang. Her story is a timely insight into a life in which the gap between the great world and the private realm is vanishingly narrow and it bears hard lessons about how fragile our hopes and dreams can be.' Tim Winton ‘Brutally and uncompromisingly honest, Sisonke’s beautifully crafted storytelling enriches the already extraordinary pool of young African women writers of our time.’ Graça Machel, Minister for Education and Culture of Mozambique ‘Msimang is a talented and passionate writer, one possessed of an acerbic intelligence...This memoir is also full of warmth and humour.’ Saturday Paper ‘Sisonke Msimang kindles a new fire in our store of memoir, a fire that will warm and singe and sear for a long, long while.’ Njabulo S. Ndebele, author The Cry of Winnie Mandela 'An excellent blend of both the personal and political...a bold memoir...a tale that will sustain itself for generations.’ Books & Publishing ‘Msimang pours herself into these pages with a voice that is molten steel; her radiant warmth and humour sit alongside her fearlessness in naming and refusing injustice. Msimang is a masterful memoirist, a gifted writer, and she comes bearing a message that is as urgent and timely as it is eternal.’ Sarah Krasnostein ‘It is rare to hear from such a voice as Sisonke’s—powerful, accomplished, unabashed and brave. This is a gripping and important memoir that is also self-aware and funny, revealing the depths of a country we’ve mostly only seen through a colonial perspective.’ Alice Pung ‘It is not possible to do this book justice in so few words...Always Another Country is eloquent and powerful. Msimang’s explication of what it means to be from – but not of – a place is profoundly moving. Msimang deserves to be widely read and fans of Roxane Gay and Maxine Beneba Clarke, in particular, will not be disappointed.’ Readings ‘[An] eloquent memoir of home, belonging and race politics.’ Big Issue ‘Msimang’s graceful memoir is one of those rare books that managed to make me less cynical about the state of literature...It’s a coming-of-age story for those children for whom home is marked by more than a single physical location.’ New York Times

Featuring the story, 'In Another Country', that inspired the motion picture, 45 Years. Also featuring selected stories from David Constantine's Comma Press back catalogue : Under The Dam (2005); The Shieling (2009); Tea at the Midland (2012). Released one day before 45 Years, which will be released as a major film (Film4 / BFI) starring Charlotte Rampling and Tom Courtenay. Directed by Andrew Haigh (Weekend , HBO’s Looking).