Eight stories portray the world of the New York intellectual during the 1930s and 40s, probing the conflict between ambitious, educated youths and their immigrant parents.

Delmore Schwartz (1913-1966) was one of the finest writers of his generation. Winner of the prestigious Bollingen prize and the Poetry Society of America's Shelley Memorial Award, he was hailed by John Ashbery as one of the major twentieth-century poets. Schwartz's stories were also widely read and loved, admired by James Atlas for their unique style that enabled Schwartz to depict his characters with a sort of childlike verisimilitude. Graced with an introduction by Cynthia Ozick, this New Directions Bibelot, Screeno: Stories and Poems, gathers many of Schwartz's most popular stories and poems, including: Screeno, In Dreams Begin Responsibilities, America, America and The Heavy Bear who Goes with Me. Also included is a newly discovered story, The Heights of Joy, which appeared in the magazine Boulevard in 2002. Delmore Schwartz's life is legendary; yet it is his work that endures: What complicates and enriches Schwartz's comedy, says Irving Howe, is, I think, a reaching out toward nobility, a shy aspiring spirituality, a moment or two of achieved purity of feeling.

In the Land of Dreamy Dreams, Ellen Gilchrist's acclaimed 1981 debut collection of short stories, introduced readers to a remarkable Southern voice which has sustained its power and influence through her more than 20 subsequent books. Gilchrist has a distinctive ear for language, and a deep understanding of her flawed, sometimes tragic characters. These fourteen stories, divided into three sections -- There's a Garden of Eden, Things Like the Truth, and Perils of the Nile -- are about mostly young, upper-class Southern women who are bored with the Junior League and having babies, and chafe against the restrictions of their sheltered lives. Talented and bright, but living in the shadow of men -- their husbands and fathers -- they resort to outrageous actions in pursuit of freer lives and uncompromised love, despite the consequences. This collection first introduced readers to some of Gilchrist's most beloved characters, such as Rhoda Manning and Nora Jane Whittington. PRAISE: "It's difficult to review a first book as good as this one without resorting to every known superlative cliché...Gilchrist is the real thing." —Washington Post “A sustained display of delicately and rhythmically modulated prose and an unsentimental dissection of raw sentiment. Her stories are perceptive, her manner is both stylish and idiomatic – a rare and potent combination.” —Times Literary Supplement “Witty, concise and wonderfully varied.” —Literary Review “Gilchrist possess a distinctive voice, and blends a sense of poignancy with an often outrageously Gothic humor.” —New York Times Book Review “Her prose is quick-witted and urbane and as gossipy as Vanity Fair. Quite simply there is no Southern writer quite like her.” —Raleigh News & Observer

Drawn from the poet's collected papers at Yale University, these humorous essays touch on topics including taking baths and the meaning of existentialism, the abominations of the telephone, theories of Hamlet's behavior and Don Giovanni's promiscuity, and divorce.

"Every point of view, every kind of knowledge and every kind of experience is limited and ignorant: nevertheless so far as l know, this volume seems to me to be as representative as it could be.---Delmore Schwartz

Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only twenty-four in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams. For Tate, it was “the only genuine innovation we’ve had since Eliot and Pound.” A decade later, the short-story collection The World Is a Wedding was published; many critics characterized it as the definitive portrait of their generation. In this biography, the first about the man whom John Berryman called “the most underrated poet of the twentieth century,” James Atlas traces Schwartz’s history, from the arrival of his Romanian ancestors in New York, to his youth in Washington Heights, to his career at Harvard as a graduate student in philosophy, and onward to the flowering of his generation in the '40s, when he and the critics, poets, and novelists who were his friends made their reputations. Schwartz’s brilliant satires of his friends and acquaintances, his autobiographical stories, and his letters to his illustrious peers contribute to this vivid portrait of an era—and of that era’s most trenchant chronicler.

The publication of this book restores a missing chapter in the history of twentieth-century American literature With his New Directions debut in 1938, the twenty-five-year-old Delmore Schwartz was hailed as a genius and among the most promising writers of his generation. Yet he died in relative obscurity in 1966, wracked by mental illness and substance abuse. Sadly, his literary legacy has been overshadowed by the story of his tragic life. Among poets, Schwartz was a prototype for the confessional movement made famous by his slightly younger friends Robert Lowell and John Berryman. While his stories and novellas about Jewish American experience laid the groundwork for novels by Saul Bellow (whose Humboldt’s Gift is based on Schwartz’s life) and Philip Roth. Much of Schwartz’s writing has been out of print for decades. This volume aims to restore Schwartz to his proper place in the canon of American literature and give new readers access to the breadth of his achievement. Included are selections from the in-print stories and poems, as well as excerpts from his long unavailable epic poem Genesis, a never-completed book-length work on T. S. Eliot, and unpublished poems from his archives.