Using Islamic tradition as a resource, the poets, novelists, playwright, filmmaker, and illustrator in this study discover signs of God’s creative actions amid the tensions of contemporary Muslim American identity.

Using Islamic tradition as a resource, the poets, novelists, playwright, filmmaker, and illustrator in this study discover signs of God's creative actions amid the tensions of contemporary Muslim American identity.

Named one of the Top 10 Books of the Year in 2020 by the Academy of Parish Clergy For a long time, American Christians have been hearing a story about Islam. It's a story about conflict and hostility, about foreigners and strangers. At the heart of this story is a fundamental incompatibility between the two religions going all the way back to their original encounters. According to that story, the only valid Christian response to Islam is resistance. But it's time to tell a different—and truer—story. Christians and Muslims have not always fought or lived in fear of each other. Christian communities in majority-Muslim countries have coexisted with their Muslim neighbors for centuries. More importantly, Muslims have been part of the American story from its beginning. And like their Christian neighbors, Muslims want to make the community in which they live a better place for all citizens. In Neighbors, Deanna Ferree Womack lays the groundwork for members of the two religions to understand, converse, and cooperate with each another. With models for cultivating empathy and interfaith awareness, Christians can move from neighborly intention to real dialogue and common action with Muslims in the United States. Ideal for individual or group study, the book includes discussion guide for group study with links to video clips, a timeline of the first Muslim communities, and a glossary of Arabic terms related to Islam.

The relationship between Islam and the West is one of the most urgent and hotly debated issues of our time. This book is the first to offer a comprehensive overview of the way in which Muslims are represented within modern English writing, ranging from the novel, through memoir and travel writing to journalism. Covering a wide range of texts and authors, it scrutinises the identity 'Muslim' by looking at its inscription in recent and contemporary literary writing within the context of significant events like the Rushdie Affair and 9/11. Examining the wide range of writing internationally that takes Islam or Islamic cultures as its focus, the author discusses the representation of Muslim identity in writing by non-Muslim writers, former Muslim 'native informants', and practising Muslims.

Scientific Essay from the year 2020 in the subject Literature - Canada, Comenius University in Bratislava (Philosophische Fakultät), language: English, abstract: This paper compares various contemporary Muslim writers from Canada and their negotiation with their identity. The choice of works tries to focus on the last decade and wants to show the multiple and flexible way these writers treat the key topic identity. All novels offer a comprehensive and detailed investigation into the concept of identity in contemporary literature from writers with a migrational background whose basis lies in the Muslim world and who know Canada since they have lived there or still do so. The generic and thematic diversity which is reflected in these books show the importance of these writers and throws light on their pluralistic concepts of identity which has and still enriches Canlit. To better present the development of this part of Canlit the first and the last novel are discussed in more detail. The aim of this is to show the development this group of writers has made in such a short time. Contemporary English literature investigates a wide range of issues such as theoretical and conceptual debates over modernity and contemporary, the history and practice of reviewing and / or writing in relation to nationhood, gender, religion or postcoloniality. ‘Muslim Writing’, as one branch of contemporary English literature is part of 'Postcolonial Writing’ which includes sub-genres such as the 'Postcolonial', 'Black British Writing', ‘British Jewish’ or 'British Asian'. The novelists which form 'Muslim Writing' dispose of a Muslim background which is first of all geographical and cultural and not necessarily religious. It is necessary to point this out that it is not Islam nor the religious as such which shape this term since some important writers like Salman Rushdie or (for the Canadian background Rawi Hage) are not religious in the sense that they are Muslims although India and the Lebanon dispose of a large Muslim community (in the case of Rushdie) are part of a large Muslim world (or in the case of Hage). Many of these writers such as Hanif Kureishi, Nadeem Aslam, Khaled Hosseini, Hisham Matar, Monica Ali or Anna Perera attempt to bring in this geographical, cultural or religious element by discussing and reflecting topics such as postethnicity, multiculturalism, minority, race, class, gender, religion, diaspora, community, universalism, particularism, Britishness language hybridity, belonging and above identity making. Although 'Muslim Writing' in general and 'Canadian

*Winner of the Wilfrid Eggleston Award for Nonfiction* *Selected as a Most Anticipated Book of Fall by The Globe and Mail and The Toronto Star* An insightful and perspective-shifting new book, from a celebrated journalist, about reclaiming identity and revealing the surprising history of the Muslim diaspora in the west—from the establishment of Canada’s first mosque through to the long-lasting effects of 9/11 and the devastating Quebec City mosque shooting. “Until recently, Muslim identity was imposed on me. But I feel different about my religious heritage in the era of ISIS and Trumpism, Rohingya and Uyghur genocides, ethnonationalism and misinformation. I’m compelled to reclaim the thing that makes me a target. I’ve begun to examine Islam closely with an eye for how it has shaped my values, politics, and connection to my roots. No doubt, Islam has a place within me. But do I have a place within it?” Omar Mouallem grew up in a Muslim household, but always questioned the role of Islam in his life. As an adult, he used his voice to criticize what he saw as the harms of organized religion. But none of that changed the way others saw him. Now, as a father, he fears the challenges his children will no doubt face as Western nations become increasingly nativist and hostile toward their heritage. In Praying to the West, Mouallem explores the unknown history of Islam across the Americas, traveling to thirteen unique mosques in search of an answer to how this religion has survived and thrived so far from the place of its origin. From California to Quebec, and from Brazil to Canada’s icy north, he meets the members of fascinating communities, all of whom provide different perspectives on what it means to be Muslim. Along this journey he comes to understand that Islam has played a fascinating role in how the Americas were shaped—from industrialization to the changing winds of politics. And he also discovers that there may be a place for Islam in his own life, particularly as a father, even if he will never be a true believer. Original, insightful, and beautifully told, Praying to the West reveals a secret history of home and the struggle for belonging taking place in towns and cities across the Americas, and points to a better, more inclusive future for everyone.