In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.

Part memoir and part how-to manual, this book showcases many of the chic but always cozily comfortable residences Williams has designed.

Jessica isn't your average teenager. Though nobody at her high school knows it, she's a published author. Her vampire novel Tiger, Tiger has just come out under the pen name Ash Night. Jessica often wishes she felt as comfortable with her classmates as she does among the vampires and witches of her fiction. She has always been treated as an outsider at Ramsa High. But two new students have just arrived in Ramsa, and both want Jessica's attention. She has no patience with overly friendly Caryn, but she's instantly drawn to handsome Alex, a cocky, mysterious boy who seems surprisingly familiar. If she didn't know better, she'd think Aubrey, the alluring villain from Tiger, Tiger had just sprung to life. That's impossible, of course; Aubrey is a figment of her imagination. Or is he? Nail-bitingly suspenseful, here is the deliciously eerie follow-up to In the Forests of the Night, by the remarkable fifteen-year-old novelist Amelia Atwater-Rhodes.

In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.

A bumbling elf girl and a shapeshifting prince must rescue a kidnapped flying centaur in this humorous fantasy adventure by a New York Times–bestseller. Shapeshifting Prince Dolph can take on almost any form he chooses but he can’t decide on whom to marry. Dolph has two fiancées: Nada Naga and Electra. While he prefers Nada to Electra, Nada has no interest in him. Meanwhie, Electra loves Dolph and if she doesn’t marry him, she’ll die. Fortunately, a convenient catastrophe arises that requires Dolph’s immediate attention. Goblins have kidnapped young Che Centaur. Their only lead is an elflike girl named Jenny from the World of the Two Moons whose nearsighted vision has gotten her lost. With her leading the way, there’s no telling where this search for the missing centaur will go.

Everybody has hope in some form; but everybody needs true hope. Hope is universal and necessary for living well. Too often, people, including believers, function as if circumstances, feelings, and others control them. For the believer, biblical truth steps in and clarifies and simplifies living faithfully and hopefully. The Bible defines and offers true hope which never fails or disappoints. It is to the Bible that we must go. When we do we find God’s truth exploding across the pages of Scripture. Scripture defines true hope and contrasts and compares it to false hope. The believer will embrace these truths as a matter of life and death! Out of the Maze: A Covenantal View of Hope is designed to help you differentiate true and false hope, thus enabling you to live as a victor now and eternally.