A single set of Heavenly Tribulation had caused two fairies to bear the eternal curse and live forever in the mortal world!An emotional betrayal had allowed her to travel through her previous life at any cost, just to compete with the third party!The princess of Jin Zhi's Jade Leaf had suddenly met an unexpected success. Xiang Tianya vowed to avenge himself!Fighting with others, fighting with the heavens, unable to defeat his own conscience!He had won the glory on the surface, but he had lost all of his dignity and dignity!He was his brother, his political enemy, his love rival; what did they get after all, contrary to ethics?She had struggled with her on the brink of death several times. She had paid any price for the sake of winning against the heavens!

She was the direct daughter of the House of the Marquis. She was raped and colluded, and her entire family died horribly. She was poisoned to death in the cold court of the Palace. A wisp of wronged soul had yet to disperse, carrying with it a heart full of hatred at the time before she was reborn. In this life, she would not repeat the same mistakes again and again. She casually caught a grandson of the Black Emperor and found him pleasing to the eye, so she decided to help you ascend to the throne. In this life, to be gentle and virtuous, to be kind, to hell with it! In a conspiracy, what could be wrong with being ruthless and merciless! Anyone who dares to provoke this lady will absolutely not take revenge overnight!

This collection of Chinese shadow plays contains seven selected traditional shadow plays from the Qing and early Republican periods from Shaanxi and Shanxi. A minor operatic genre, the Chinese shadow theatre provides one of the best avenues for examining the mentality and sense of humor of the silent masses. Although Shaanxi sports the largest number of shadow traditions in China and is where the art form is most vibrant, its shadow plays have never before been published in either Chinese or English. Translated from rare hand-copied play scripts, this volume includes the most literary and refined plays of the genre as well as coarser popular plays and farcical Post-midnight skits. It also features a survey of the state of the shadow theatre in contemporary China, extensive critical introductions and bibliography.