Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, has traditionally utilized visual devices of all kinds. This volume examines the many ways in which images functioned as instruments of scriptural hermeneutics in early modern Europe.

This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.

New insight into the religious dimension of Bruegel’s art. With a number of highly original case studies, the volume illuminates Bruegel’s multifaceted engagement with the contemporary religious concepts and practices of his era.

This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.

An examination of the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia.

The reception of the Gospel of Matthew over two millennia: commentary and interpretation Matthew Through the Centuries offers an overview of the reception history of one of the most prominent gospels in Christian worship. Examining the reception of Matthew from the perspectives of a wide range of interpreters—from Origen and Hilary of Poitiers to Mary Cornwallis and Bob Marley—this insightful commentary explains the major trends in the reception of Matthew in various ecclesial, historical, and cultural contexts. Focusing on characteristically Matthean features, detailed chapter-by-chapter commentary highlights diverse receptions and interpretations of the gospel. Broad exploration of areas such as liturgy, literature, drama, film, hymnody, political discourse, and visual art illustrates the enormous impact Matthew continues to have on Judeo-Christian civilization. Known as ‘the Church’s Gospel,’ Matthew’s text has been the subject of apologetic and theological controversy for hundreds of years. It has been seen as justification for political and ecclesial status quo and as a path to radical discipleship. Matthew has influenced divergent political, spiritual, and cultural figures such as Francis of Assisi, John Ruskin, Leo Tolstoy, Dietrich Bonhoeffer, and Mahatma Gandhi. Matthew’s interest in ecclesiology provides early structures of ecclesial life, such as resolution of community disputes, communal prayer, and liturgical prescriptions for the Eucharist and baptism. A significant addition to the acclaimed Blackwell Bible Commentaries series, Matthew Through the Centuries is an indispensable resource for both students and experts in areas including religious and biblical studies, literature, history, politics, and those interested in the influence of the Bible on Western culture.

Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.