The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.

Two lavish, illustrated histories confronted and contested the Byzantine model of empire. The Madrid Skylitzes was created at the court of Roger II of Sicily in the mid-twelfth century. The Vatican Manasses was produced for Ivan Alexander of Bulgaria in the mid-fourteenth century. Through close analysis of how each chronicle was methodically manipulated, this study argues that Byzantine history was selectively re-imagined to suit the interests of outsiders. The Madrid Skylitzes foregrounds regicides, rebellions, and palace intrigue in order to subvert the divinely ordained image of order that Byzantine rulers preferred to project. The Vatican Manasses presents Byzantium as a platform for the accession of Ivan Alexander to the throne of the Third Rome, the last and final world-empire. Imagining the Byzantine Past demonstrates how distinct visions of empire generated diverging versions of Byzantium's past in the aftermath of the Crusades.

In 911, the French king ceded land along the river Seine to Rollo the Viking, on condition that he convert to Christianity. This work advances our understanding of early Normandy and the Vikings' transformation from pagan raiders to Christian princes. It also sheds light on the intersection of religious tradition, identity, and power.

The first major study of the relationship between liturgy and historiography in early medieval Rus.

According to history books, the Roman Empire ended in 476 CE with the fall of Rome. But if you asked most people alive at that time, they would have pointed you to what they considered the continuation of the Roman Empire—the civilization we now call the Byzantine Empire. The Byzantines, however, were more than just a remnant of Roman glory. At its geographical peak, the Byzantine Empire stretched out across the Mediterranean world. Culturally, the Byzantines both preserved the knowledge of the classical world, much of which was lost in the West, and added to it. Inside you will read about... ✓ A Divided Empire ✓ The Fall of the West ✓ Rising to Glory ✓ An Age of War ✓ The Destruction of Icons ✓ The House of Macedon ✓ The Comnenian Revival ✓ The Final Decline And much more! Shaped by its classical roots, its Christian religion, and the changing medieval world, the story of the Byzantine Empire is one of both glorious victories and terrible defeats, of a civilization that rose from the brink of destruction again and again, and of the development of a culture whose vestiges remain today.

Byzantium the other. Byzantium the pompous. Byzantium the eternal. The mere existence of this empire with his rich history and otherness from western European traditions spurred the minds of scholars, noblemen, politicians and ordinary people throughout its survival and long beyond its final downfall in 1453. Neglecting its great political and cultural influence on neighbouring countries and beyond, Enlightenment writers stripped Byzantium of its original historical reality and thus created a model, which could be utilised in very different constructs, stretching from positive to absolutely negative connotations. With the rise of new nationalisms, primarily in Eastern and Southeastern Europe, and the associated politically inspired historical (re)constructions in the 19th and 20th century, the reception of Byzantium gained new facets, its perception reached into new dimensions. In this volume, we would like to shed some light on these patterns and the problems they entail, and show the different ways in which?Byzantium± was used as an argument in nation-building and in constructing new historiographical narratives, and how ist legacy endured in ecclesiastical historiography.