Imaginative Methodologies in the Social Sciences develops, expands and challenges conventional social scientific methodology and language by way of literary, poetic and other alternative sources of inspiration, as sociologists, social workers, anthropologists, criminologists and psychologists all rethink, provoke and reignite social scientific methodology. Challenging the mainstream orthodoxy of social scientific methodology, which closely guards the boundaries between the social sciences and the arts and humanities, this volume reveals that authors and artists are often engaged in projects parallel to those of the social sciences and vice versa, thus demonstrating that artistic and cultural production does not necessarily constitute a specialist field, but is in fact integral to social reality. As such, it will be of interest to scholars and students in the social sciences and across the arts and humanities working on the philosophy of social science, methodology, social theory, creativity, poetics, pedagogy and other related topics.

At a time when historical and cultural analyses are being subjected to all manner of ideological and disciplinary prodding and poking, the work of Max Weber, the brilliant social theorist and one of the most creative intellectual forces in the twentieth century, is especially relevant. In this significant study, Fritz Ringer offers a new approach to the work of Weber, interpreting his methodological writings in the context of the lively German intellectual debates of his day. According to Ringer, Weber was able to bridge the intellectual divide between humanistic interpretation and causal explanation in historical and cultural studies in a way that speaks directly to our own time, when methodological differences continue to impede fruitful cooperation between humanists and social scientists. In the place of the humanists' subjectivism and the social scientists' naturalism, Weber developed the flexible and realistic concepts of objective probability and adequate causation. Grounding technical theories in specific examples, Ringer has written an essential text for all students of Weber and of social theory in the humanities and social sciences. Fully reconstructed, Max Weber's methodological position in fact anticipated the most fruitful directions in our own contemporary philosophies of the cultural and social sciences. Ringer's conceptualization of Weber's approach and achievement elucidates Weber's reconciliation of interpretive understanding and causal explanation and shows its relevance to intellectual life and culture in Weber's own time and in ours as well.

Challenging the mainstream orthodoxy of social scientific methodology, which closely guards the boundaries between the social sciences and the arts and humanities, this volume reveals that authors and artists are often engaged in projects parallel to those of the social sciences and vice versa, thus demonstrating that artistic and cultural production does not necessarily constitute a specialist field, but is in fact integral to social reality.

This accessible book examines the four areas of creative research methods: arts-based research, research using technology, mixed-method research and transformative research frameworks. It offers examples in practice and shows readers why, when, and how to use them in their research.

During a visit with her great-aunt, a young girl learns the story behind her name and learns to feel proud of her biracial heritage.

Though many psychological theories refer to imagination as a relevant phenomena, we still lack knowledge about imaginative processes. The book “The Method of Imagination” is aimed at expanding the knowledge about imaginative processes as higher mental function, by starting from the empirical and phenomenological studies. The volume is an innovative multidisciplinary exploration in the study of imaginative processes as complex phenomena. It covers a wide range of fields, from psychology to sociology, from art and design to marketing and education. The book gathers young and experienced scholars from 6 different countries worldwide, providing a fresh look into the theoretical, methodological and applicative aspects of imagination studies. The audience for this book includes scholars and students in social and human sciences interested in the study and the use of imaginative processes. The volume can be also used as textbook/integrative reading in undergrad and master courses.

This volume offers selected papers exploring issues arising from scientific discovery in the social sciences. It features a range of disciplines including behavioural sciences, computer science, finance, and statistics with an emphasis on philosophy. The first of the three parts examines methods of social scientific discovery. Chapters investigate the nature of causal analysis, philosophical issues around scale development in behavioural science research, imagination in social scientific practice, and relationships between paradigms of inquiry and scientific fraud. The next part considers the practice of social science discovery. Chapters discuss the lack of genuine scientific discovery in finance where hypotheses concern the cheapness of securities, the logic of scientific discovery in macroeconomics, and the nature of that what discovery with the Solidarity movement as a case study. The final part covers formalising theories in social science. Chapters analyse the abstract model theory of institutions as a way of representing the structure of scientific theories, the semi-automatic generation of cognitive science theories, and computational process models in the social sciences. The volume offers a unique perspective on scientific discovery in the social sciences. It will engage scholars and students with a multidisciplinary interest in the philosophy of science and social science.