This volume looks at various ways in which royal images functioned within different ideological frameworks in the ancient Near East, Greece and Rome. It argues that visibility lies at the heart of power, especially under monarchic rule. The contributions highlight how, throughout the ancient Mediterranean, patterns can be detected in the use of royal images. There seem to have been continuous (re)negotiations between innovation and tradition, East and West, and between aerealAe and aeimaginaryAe kings. Contents Richard Fowler / Olivier Hekster: Imagining kings: From Persia to Rome Lindsay Allen: Le roi imaginaire: An audience with the Achaemenid king Peter Thonemann: The tragic king: Demetrios Poliorketes and the city of Athens Margherita Facella: Roman perception of Commagenian royalty Matthew Gisborne: A curia of kings: Sulla and royal imagery Richard Fowler: aeMost fortunate rootsAe: Tradition and legitimacy in Parthian royal ideology Olivier Hekster: Captured in the gaze of power: Visibility, games and Roman imperial representation Ted Kaizer: Kingly priests in the Roman Near East? Bibliography Index

A timely and academically-significant contribution to scholarship on community, identity, and globalization in the Roman and Hellenistic worlds Community and Identity at the Edges of the Classical World examines the construction of personal and communal identities in the ancient world, exploring how globalism, multi-culturalism, and other macro events influenced micro identities throughout the Hellenistic and Roman empires. This innovative volume discusses where contact and the sharing of ideas was occurring in the time period, and applies modern theories based on networks and communication to historical and archaeological data. A new generation of international scholars challenge traditional views of Classical history and offer original perspectives on the impact globalizing trends had on localized areas—insights that resonate with similar issues today. This singular resource presents a broad, multi-national view rarely found in western collected volumes, including Serbian, Macedonian, and Russian scholarship on the Roman Empire, as well as on Roman and Hellenistic archaeological sites in Eastern Europe. Topics include Egyptian identity in the Hellenistic world, cultural identity in Roman Greece, Romanization in Slovenia, Balkan Latin, the provincial organization of cults in Roman Britain, and Soviet studies of Roman Empire and imperialism. Serving as a synthesis of contemporary scholarship on the wider topic of identity and community, this volume: Provides an expansive materialist approach to the topic of globalization in the Roman world Examines ethnicity in the Roman empire from the viewpoint of minority populations Offers several views of metascholarship, a growing sub-discipline that compares ancient material to modern scholarship Covers a range of themes, time periods, and geographic areas not included in most western publications Community and Identity at the Edges of the Classical World is a valuable resource for academics, researchers, and graduate students examining identity and ethnicity in the ancient world, as well as for those working in multiple fields of study, from Classical, Hellenistic, and Roman historians, to the study of ethnicity, identity, and globalizing trends in time.

In the steppes of High Asia, the year 1188... 'Jamuqa rode his trophy mare, off-white, black-pointed, on a Tartar seat, high arches of ornamental silver fore and aft. He wore a winterfur of snow leopard, near white with black whorls. The effect was kingly and fantastic: he might be Irle Khan himself, the king of ghosts, in his eery splendour.'Aged twenty, Temujin has been named Tchingis, khan over the Mongols. But only a third of his people accept a kingship based on dreams and omens. His own sworn brother Jamuqa challenges his title, and comes in the guise of a mock king against him. The steppe has been without a great khan for three hundred years - fragmented in the face of giant China. Are dreams and omens enough to unify its peoples? What makes a true king? Imaginary Kings is the second in a trilogy that gives voice to the Mongols in their explosive encounter with the great world under Tchingis Khan. Both epic and intimate, Amgalant sees the world through Mongol eyes. It's different from the world you know. 'Amgalant brings to life a complex, remote society with amazing immediacy'

Contains the Society's Proceedings.