Image processing and machine vision are fields of renewed interest in the commercial market. People in industry, managers, and technical engineers are looking for new technologies to move into the market. Many of the most promising developments are taking place in the field of image processing and its applications. The book offers a broad coverage of advances in a range of topics in image processing and machine vision.

Image Technology Design: A Perceptual Approach is an essential reference for both academic and professional researchers in the fields of image technology, image processing and coding, image display, and image quality. It bridges the gap between academic research on visual perception and image quality and applications of such research in the design of imaging systems. This book has been written from the point of view of an electrical engineer interested in the display, processing and coding of images, and frequently involved in applying knowledge from visual psychophysics, experimental psychology, statistics, etc., to the design of imaging systems. It focuses on the exchange of ideas between technical disciplines in image technology design (such as image display or printer design and image processing) and visual psychophysics. This is accomplished by the consistent use of a single mathematical approach (based on linear vector spaces) throughout. Known facts from color vision, image sampling and quantization are given a new formulation and, in some instances, a new interpretation.

The author explains scientific, technical and engineering concepts clearly and in a way that can be understood by non-scientists. He integrates a discussion of traditional, film-based technologies with the impact of emerging 'new media' technologies such as digital video, e-cinema and the Internet.

This book constitutes the refereed proceedings of the Second Pacific Rim Symposium on Image and Video Technology, PSIVT 2007, held in Santiago, Chile, in December 2007. The 75 revised full papers presented together with four keynote lectures were carefully reviewed and selected from 155 submissions. The symposium features ongoing research including all aspects of video and multimedia, both technical and artistic perspectives and both theoretical and practical issues.