The eight essays in Image Technologies in Canadian Literature reveal the ongoing importance of film and photography in the production of Canadian literary narratives. Covering modern to cutting-edge postmodern and postcolonial authors, the role of image texts and technologies is thoroughly investigated in relation to translation, performance, history, memory, point-of-view, picture poetics, and dialectical images; authors covered include Michael Ondaatje, Daphne Marlatt, Ann-Marie MacDonald, Robert Kroetsch, Joseph Dandurand and Stan Douglas. The resulting engagement with some of the key theorists of film and photography, such as Walter Benjamin, Roland Barthes, and Susan Sontag, leads to a lively contribution to the study of hybrid forms of Canadian literature and its key theoretical/image texts.

The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.

Has Canada moved beyond the nation state into the world of the post-national? To what extent have fixed notions of Canadian nationhood been replaced by a more global, decentralized sense of identification? Is nationhood (or post-nationhood) best expressed by statelessness and exile or by belonging? Or can Canadian national identity in fact fruitfully coexist with the post-national consciousness? These are some of the issues covered by this volume, issues seen from a range of perspectives - literary, cultural, political and economic. In the literary sphere the national/post-national debate is explored both through canonical writers, such as L. M. Montgomery, Stephen Leacock, and Marie-Claire Blais, and through recent First Nations, Asian-Canadian, African-Canadian, Ukrainian-Canadian and Quebec writing. The political and economic range is equally diverse, covering such topics as immigration policy, multiculturalism, Canadian-American relations, tourist imaginings of the Canadian North, the Canadian city, and Quebec nationalism. The book brings together 27 original articles from international scholars and creative writers, offering both European and Canadian perspectives. Six articles in French focus specifically on the francophone sphere.

The first graduate conference of the Young Scholars' Network of the Association for Canadian Studies in German-speaking countries took place in Berlin in 2004. The conference has been an integral part of the academic year in Canadian Studies ever since. It offers an opportunity for young scholars to present their B.A., M.A. and Ph.D. projects and receive feedback and helpful suggestions from peers and experts. This type of academic exchange is particularly important in Canadian Studies as they often occupy a marginal position at universities. Beside graduate students from Canada, Germany and Austria, prominent Canadian scholars have also been invited to speak at the conference every year. This volume contains selected contributions (in English, German and French) presented at the first five graduate conferences and demonstrates the large scope of Canadian studies in German-speaking countries. Die erste Graduiertentagung für Kanada-Studien des Nachwuchsforums der Gesellschaft für Kanada-Studien e. V. (GKS) wurde 2004 in Berlin veranstaltet. Dieses Forum für junge KanadistInnen ist seitdem ein fixer Bestandteil des akademischen Jahres der Kanada-Studien geworden: Angehende WissenschaftlerInnen präsentieren Abschlussarbeiten und in Arbeit befindliche Dissertationen und bekommen von ExpertInnen und KollegInnen fachliche Reaktionen und Hilfestellung. Dies ist besonders für einen Bereich wie die Kanada-Studien von Bedeutung, da sie an vielen Universitäten nur marginal vertreten sind. Neben Graduierten aus Kanada, Deutschland und Österreich haben regelmäßig auch international anerkannte kanadische WissenschaftlerInnen teilgenommen. Dieser Band präsentiert eine Zusammenstellung (in englischer, deutscher und französischer Sprache) der interessantesten Vorträge der ersten fünf Jahre der Graduiertentagungen und demonstriert die Vielfalt der Projekte und der Kanada-Studien insgesamt.

Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge. Readers of this book will become familiar with some of the most challenging works of literature—and their creators—that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.

"This volume was inspired by the 48th Conference of Professors of English at the University of Orleans (May 16-18, 2008)."

This book collects the efforts of a team of scholars working at the University of Torino under the auspices of the Project WWS (World-Wide Style). Focusing on diverse areas of inquiry into the transformations of the American city, the essays in this volume provide perspectives for understanding the complexity of urban cultures in the United States in the late 19th, 20th and early 21st centuries. Organized thematically, this book includes contributions in three main areas. The first area covers studies in U.S. history and history of ideas at the turn of the 20th century, in light of its migration/immigration processes as well as in its representations of national greatness and cultural hegemony as reflected in World's Fairs. The second area covers analyses of American literature in the double perspective of the recent emergence of a new form of «global novel», as well as the developments of new subgenres of urban fiction. A third area on inquiry focuses on new practices of organized religion in North America arising from the regionalization of the American metropolis in recent decades.