This notebook would make a great funny gag gift for a friend or co-worker. It is a simple lined 6x9 book that fits perfectly into a purse, bag or suitcase. It comes with 120 pages. The cover is a glossy finish and it is a perfect bound paperback book.

For years, Jenny and sister Kim suffered horrendous physical and sexual abuse at the hands of their father. They survived in part because of their closeness and their determination to be there for each other. Both sisters left home at the earliest opportunity to escape but before long, Jenny was embroiled in a relationship with an abusive man that kept her locked in a cycle of violence and fear. Their lives followed parallel paths, with first marriage, then kids and always the terror that things would never change. Eventually, with a lot of love, grit and courage they helped each other to climb out of the pit of despair and truly free themselves from the legacy of the past. Every bit as harrowing and inspiring as Behind Closed Doors, this is a story of the power of unstintingly loyal love.

Twins Talk is an ethnographic study of identical twins in the United States, a study unique in that it considers what twins have to say about themselves, instead of what researchers have written about them. It presents, in the first person, the grounded and practical experiences of twins as they engage, both individually and together, the “who am I” and “who are we” questions of life. Here, the twins themselves are the stars. Dona Lee Davis conducted conversational interviews with twenty-two sets of identical twins attending the Twins Days Festival in Twinsburg, Ohio, the largest such gathering in the world. Lively and often opinionated, each twin comes through as a whole person who at the same time maintains a special bond that the vast majority of people will never experience. The study provides a distinctive and enlightening insider’s challenge to the nature/nurture debates that dominate contemporary research on twins. The author, herself an identical twin, draws on aspects of her own life to inform her analysis of the data throughout the text. Each chapter addresses a different theme from multiple viewpoints, including those of popular science writers, scientific researchers, and singletons, as well as those of the twins themselves.

USA TODAY Bestselling Author Claudia Burgoa presents an engaging love story full of mistaken identity, drunk texts, and hysterical mishaps. Sex talk is my job. I’m an influencer. I run a popular blog where I give all kinds of dating tips, and girls all over the world thank me for helping them with their love lives. I wish I could follow my own advice because my love life is totally dead. I just drunk texted my ex-boyfriend… except, I didn’t. That text ended up going to someone else. Oops. This new relationship is almost picture-perfect, just like my online life. I guess I give good…text. He doesn’t have to put up with my colorful personality--as my hot next-door neighbor describes me. Or my messy schedule. This long-distance relationship is the best thing that’s happened to me and I plan to keep it that way. Until we agree to meet up, and I’m freaking out. When he meets the real me, will he hate me forever? Or will we be one day telling our grandkids about that wrong text, right love? *** Wrong Text, Right Love is a cute rom-com of two secret lovers who prepare to risk it all for love. Claudia Burgoa brings the flirty fun in this cozy novel of risking it all for romance.

New York Times–Bestselling Author: The conclusion to the trilogy set in a “paranormal universe full of interesting characters with awesome powers” (RT Book Reviews). The Tower Syndicate will fall . . . if they can survive. The secret daughter of the head of an infamous Skilled crime family, Sera Brandt has hidden her past, her potential, and especially her powers. But when a tragedy strikes her other family, Sera needs justice. And the only way to get it is to reveal her heritage—including a rare Skill—and take the reins of the Tower Syndicate from her cunning and malicious aunt. Kristopher Daniels might have the answer. He’s fought the syndicate to protect his sisters, but he’d never realized just how close to the new heir he needed to get. Neither is used to trusting. But there’s something between them that can’t be ignored. So Sera is on the run with a man she can’t figure out, a target on her back and the new knowledge of just how powerful she really is . . . Praise for the Unbound novels “Offers a little something for everyone: a convincing magical system for urban fantasy fans; for romance readers, a love that time and distance can’t break; and a twist-and-turn plot for mystery buffs. . . . A gritty, dangerous world of sorcerous bindings and forbidden love.” —Shelf Awareness “A world of syndicates, bindings, magic, and blood . . . the story builds to an action-packed conclusion.” —Publishers Weekly

In Copper Ridge, Oregon, a cowboy's best friend might turn out to be the woman of his dreams… If Finn Donnelly makes a plan, he sticks to it. After his brothers left Copper Ridge, Finn stayed behind, determined to keep their ranch going by himself. And when he realized his feelings for Lane Jensen were more than platonic, he shoved that inconvenient desire away. It was easy…until it wasn't. Suddenly his brothers are coming home to claim their share of the property. And Lane is no longer just in his fantasies. She's in his arms, and their friendship is on the line… He's been her buddy, her handyman, her rock. But until that one breathtaking kiss, Lane somehow overlooked the most important thing about Finn Donnelly—he's all man. They're right together, no matter how much his volatile past has bruised him. Finn wants to hold Lane's body, but he doesn't want to hold her heart. But Lane is falling fast and now she's got a plan of her own…to show Finn there's nothing hotter than friendship turned to slow-burning love. Also includes a bonus Copper Ridge novel, Take Me, Cowboy!

The two plays collected in this volume represent Genet’s first attempts to analyze the mores of a bourgeois society he had previously been content simply to vilify. In The Maids, two domestic workers, deeply resentful of their inferior social position, try to revenge themselves against society by destroying their employer. When their attempt to betray their mistress’s lover to the police fails and they are in danger of being found out, they dream of murdering Madame, little aware of the true power behind their darkest fantasy. In Deathwatch, two convicts try to impress a third, who is on the verge of achieving legendary status in criminal circles. But neither realizes the lengths to which they will go to gain respect or that, in the end, nothing they can do—including murder—will get them what they are searching for.