In this renowned collection of fourteen Native stories, the noted Yankton Sioux writer Zitkala-Sa (1876-1938) shares tales learned during her childhood in the late nineteenth century. Told for generations, these stories are part of both the heritage and the legacy of the Yankton Sioux, reflecting an active, continually revitalized storytelling tradition. Power, wonder, and a distinctive understanding of the world infuse these tales. Featured here are the classic adventures of the trickster spider Iktomi, as well as the exploits of formidable animal beings and such legendary characters as Iya the glutton, the giant Anuk-ite, and the hero Blood Clot boy. P. Jane Hafen provides a new introduction for this edition. Zitkala-Sa's other books include American Indian Stories and Dreams and Thunder: Stories, Poems, and "The Sun Dance Opera," both published by the University of Nebraska Press. P. Jane Hafen is an associate professor of English at the University of Nevada-Las Vegas. She is the editor of Dreams and Thunder and coeditor of A Great Plains Reader (Nebraska 2003). Agnes Picotte is a teacher at the Red Cloud Indian School and has contributed to many volumes, including Ella Deloria's Waterlily, available in a Bison Books edition.

IKTOMI is a spider fairy. He wears brown deerskin leggins with long soft fringes on either side, and tiny beaded moccasins on his feet. His long black hair is parted in the middle and wrapped with red, red bands. Each round braid hangs over a small brown ear and falls forward over his shoulders. He even paints his funny face with red and yellow, and draws big black rings around his eyes. He wears a deerskin jacket, with bright colored beads sewed tightly on it. Iktomi dresses like a real Dakota brave. In truth, his paint and deerskins are the best part of him—if ever dress is part of man or fairy. Iktomi is a wily fellow. His hands are always kept in mischief. He prefers to spread a snare rather than to earn the smallest thing with honest hunting. Why! he laughs outright with wide open mouth when some simple folk are caught in a trap, sure and fast. He never dreams another lives so bright as he. Often his own conceit leads him hard against the common sense of simpler people. Poor Iktomi cannot help being a little imp. And so long as he is a naughty fairy, he cannot find a single friend. No one helps him when he is in trouble. No one really loves him. Those who come to admire his handsome beaded jacket and long fringed leggins soon go away sick and tired of his vain, vain words and heartless laughter. Thus Iktomi lives alone in a cone-shaped wigwam upon the plain. One day he sat hungry within his teepee. Suddenly he rushed out, dragging after him his blanket. Quickly spreading it on the ground, he tore up dry tall grass with both his hands and tossed it fast into the blanket. Tying all the four corners together in a knot, he threw the light bundle of grass over his shoulder. Snatching up a slender willow stick with his free left hand, he started off with a hop and a leap. From side to side bounced the bundle on his back, as he ran light-footed over the uneven ground. Soon he came to the edge of the great level land. On the hilltop he paused for breath. With wicked smacks of his dry parched lips, as if tasting some tender meat, he looked straight into space toward the marshy river bottom. With a thin palm shading his eyes from the western sun, he peered far away into the lowlands, munching his own cheeks all the while. "Ah-ha!" grunted he, satisfied with what he saw. A group of wild ducks were dancing and feasting in the marshes. With wings outspread, tip to tip, they moved up and down in a large circle. Within the ring, around a small drum, sat the chosen singers, nodding their heads and blinking their eyes.

After outwitting some ducks, Iktomi, the Indian trickster, is outwitted by Coyote.

After outwitting some ducks, Iktomi, the Indian trickster, is outwitted by Coyote.

"[...]hurry off! Stop! halt!" urged one of the singers. "Stop! stay! Show us what is in your blanket!" cried out other voices. "My friends, I must not spoil your dance. Oh, you would not care to see if you only knew what is in my blanket. Sing on! dance on! I must not show you what I carry on my back," answered Iktomi, nudging his own sides with his elbows. This reply broke up the ring entirely. Now all the ducks crowded about Iktomi. "We must see what you carry! We must know what is in your blanket!" they shouted in both his ears. Some even brushed their wings against the mysterious bundle. Nudging himself again, wily Iktomi said, "My friends, 't is only a pack of songs I carry in my blanket." "Oh, then let us hear your songs!" cried the curious ducks. At length Iktomi consented to sing his songs. With delight all the ducks flapped their wings and cried together, "Hoye! hoye!" Iktomi, with great care, laid down his bundle on the ground. "I will build first a round straw house, for I never sing my songs in the open air," said he. Quickly he bent green willow sticks, planting both ends of each pole into[...]".

Native American Mythology began long before the European settlers arrived on North American soil. Contrary to popular beliefs, there is more to Native American Folklore than stories of buffalo hunts, teepee living and animal stories. Hundreds of tribes throughout North American created a huge mythological system that has rivaled that of the Greeks. The Sioux Indians are no exception, they have offered many enjoyable and educational legends of their people, and beliefs. Included in this anthology are a group of collected works from the Sioux, a confederacy of several tribes that speak three different dialects, the Lakota, Dakota and Nakota. The Sioux, a proud people with a rich heritage, have recorded a huge amount of their history through storytelling. They were the masters of the North American plains and prairies. In these stories you will relive their history and the lives of one of North America’s First People. The stories in this book have been handed down from generation to generation. And in such tradition, they are now handed down to you to share with the next generation. Included in this collection are the stories: The Story of the Lost Wife, The Simpleton's Wisdom, How the Fawn Got its Spots, The Man Who Was Afraid of Nothing, Two Ghostly Lovers, How the Rabbit Lost His Tail, A Bashful Courtship, The Bound Children, The Legend of Standing Rock, The Boy and the Turtles, Unktomi and the Arrowheads, The Pet Donkey, The Faithful Lovers, The Story of the Peace Pipe, The Rabbit and the Grouse Girls, The Raccoon and the Crawfish, The Legend of the White Horse Plain, Myth of the White Buffalo Woman, The Stone Boy, The Legend of the Dream Catcher, The Resuscitation of the only Daughter, The Origin of the Prairie Rose, A Little Brave and the Medicine Woman, How the Crow came to be Black, Wakinyan Tanka, The Great Thunderbird, Uncegila's Seventh Spot, The Gift of Corn, The Warlike Seven, Iktomi and many others.

Zitkala-?a (Red Bird) (1876?1938), also known as Gertrude Simmons Bonnin, was one of the best-known and most influential Native Americans of the twentieth century. Born on the Yankton Sioux Reservation, she remained true to her indigenous heritage as a student at the Boston Conservatory and a teacher at the Carlisle Indian School, as an activist in turn attacking the Carlisle School, as an artist celebrating Native stories and myths, and as an active member of the Society of American Indians in Washington DC. All these currents of Zitkala-?a?s rich life come together in this book, which presents her previously unpublished stories, rare poems, and the libretto ofThe Sun Dance Opera.