Self-protection expert David Kerr teaches his readers how to avoid violence in the first place, and if you can't avoid it or manage escape, how to survive it. Idiots to Monsters details the author's real-life experiences of dealing with virtually the full spectrum of violent persons and situations, including those you, yourself, may likely encounter. Too often, otherwise rationale people let egoism, stupidity, anxieties, or intoxicants spark dangerous confrontations. Kerr discusses how to handle hostile-aggressive individuals, and offers his unconventional advice on confronting school bullying, road rage, and the abusive spouse or boyfriend, as well as how to spot and avoid being a target for criminals and predators. Just as critical, Kerr tells readers what you can do legally to defend yourself, and what you must do if fighting an aggressor is your best or only option. The author also offers practical advice if confronted by a cold-blooded killer, a "monster," who places no value on your life or those of your kids', be it a school or workplace shooter, a potential domestic terrorist, or an intruder in your home. Additionally, anyone exploring self-defense instruction will find the author's review of various martial arts and self-protection systems to be essential reading, including advice and opinions regarding the use of weapons for self-defense. Kerr's insights are especially useful for teens as well, explaining the psychology of fights and sexual aggression, as well as how to survive potential violence at concerts, sporting events, and off-campus parties.

From the creator of the popular blog The Monsters Know What They’re Doing comes a compilation of villainous battle plans for Dungeon Masters. In the course of a Dungeons & Dragons game, a Dungeon Master has to make one decision after another in response to player behavior—and the better the players, the more unpredictable their behavior! It’s easy for even an experienced DM to get bogged down in on-the-spot decision-making or to let combat devolve into a boring slugfest, with enemies running directly at the player characters and biting, bashing, and slashing away. In The Monsters Know What They’re Doing, Keith Ammann lightens the DM’s burden by helping you understand your monsters’ abilities and develop battle plans before your fifth edition D&D game session begins. Just as soldiers don’t whip out their field manuals for the first time when they’re already under fire, a DM shouldn’t wait until the PCs have just encountered a dozen bullywugs to figure out how they advance, fight, and retreat. Easy to read and apply, The Monsters Know What They're Doing is essential reading for every DM.

As interest in reading manga has grown over the past few years, so too has the desire by many to learn how to create their own manga characters. In fact, in its first year in print, The Complete Idiot's Guide to Drawing Manga, Illustrated(ISBN- 1592573355) has sold more than 20,000 copies. The Complete Idiot's Guide to Manga Fantasy Creatures Illustratedis positioned to ride the coattails of the original title by offering readers how-to instruction specific to creating fantasy creatures in the manga style. With more than 300 illustrations, readers will learn stroke-by-stroke how to create everything from chibis and furry creatures to dragons and monsters. Each step-by-step illustration builds on the last, using a second color to highlight the new strokes, and ends with a full-color rendering of the final creature.

The dictionary defines mythology as a collection of ancient tales handed down over millennia, mainly dealing with gods and goddesses, that explains the way the world works, from natural events to society at large. Many people think of the deities of Greece and Rome when they think of mythology, forgetting that almost every culture has its own set of myths to interpret and explain its distinct worldview, often showing striking and fascinating similarities to the classical myths most people are familiar with. The Complete Idiot's Guide to World Mythologyexplores the gods and goddesses, heroes and heroines, monsters and angels of the myths from every corner of the globe - the Americas, the Middle East and Africa, Asia, and more. Additionally, it explores the parallels between every culture, including Greece and Rome - striking similarities in mythic figures and the structure, action, wording, and result of the stories themselves.

Eighty years ago the largest genocide ever occurred in Nazi Europe. This began with the mass extermination of patients with neurologic and psychiatric disorders that Hitler's regime considered "useless eaters". The neuropsychiatric profession was systematically "cleansed" beginning in 1933, but racism and eugenics had infiltrated the specialty long before that. With the installation of Nazi-principled neuroscientists, mass forced sterilization was enacted, which transitioned to patient murder by the start of World War II. But the murder of roughly 275,000 patients was not enough. The patients' brains were stored and used in scientific publications both during and long after the war. Also, patients themselves were used for unethical experiments. Relatively few neuroscientists resisted the Nazis, with some success in the occupied countries. Most neuroscientists involved in unethical actions continued their careers unscathed after the war. Few answered for their actions, and few repented. The legacy of such a depraved era in the history of neuroscience and medical ethics is that codes now exist to protect patients and research subjects. But this protection is possibly subject to political extremes and individual neuroscientists can only protect patients and colleagues if they understand the dangers of a utilitarian, unethical, and uncompassionate mindset. Brain Science under the Swastika is the only comprehensive and scholarly published work regarding the ethical and professional abuses of neuroscientists during the Nazi era. The author has crafted a scathing tour de force exploring the extremes of ethical abuse, but also ways that this can be resisted and hopefully prevented by future generations of neuroscientists and physicians

The 8th Novel of the Internationally Acclaimed Chaos Seeds Saga Over 100 THOUSAND ????? Reviews A mesmerizing tale reminiscent of the brutality of Goblin Slayer and the majesty of Game of Thrones Audible's Customer Favorite of the Year! #1 Audiobook 2017 #1 in Epic Fantasy || #1 in HumorWelcome my friends! Welcome... to "The Land!" The battle of the dead was won, but at a great cost. Sion,leader of the Mist Village was left with only pain and regret as Richter was claimed by the abyss. What no one but the abandoned chaos seed knows is that he narrowly avoided the curse of the lich Singh, a curse that still hangs above his head. Now, surrounded by miles of darkness and tons of crushing rock,Richter has to find his way back into the light. The only problem is that this monster of a man is being pursued by monsters, a demon and his own foolish choices. Faced with all the dangers of the deep dark, what will Richter say when the buried horrors of The Land come a calling and asked if he's paid his dues? Well he'll look right back, stare that horror in the eye and say, "Yes sir, the check is in the mail!" Welcome back my friends! Welcome back... to The Land! ps - Gnomes still Rule!

Inventing Benjy: William Faulkner’s Most Splendid Creative Leap is a groundbreaking work at the intersection of Faulkner studies and disability studies. Originally published in 2009 by Presses de la Sorbonne Nouvelle as L’Idiotie dans l’œuvre de Faulkner, this translation brings the book to English-language readers for the first time. Author Frédérique Spill begins with a sustained look at the monologue of Benjy Compson, the initial first-person narrator in Faulkner’s The Sound and the Fury. Spill questions the reasons for this narrative choice, bringing readers to consider Benjy’s monologue, which is told by a narrator who is deaf and cognitively disabled, as an impossible discourse. This paradoxical discourse, which relies mostly on senses and sensory perception, sets the foundation of a sophisticated poetics of idiocy. Using this form of writing, Faulkner shaped perspective from a disabled character, revealing a certain depth to characters that were previously only portrayed on a shallow level. This style encompasses some of the most striking forms and figures of his leap into modern(ist) writing. In that respect, Inventing Benjy thoroughly examines Benjy’s discourse as an experimental workshop in which objects and words are exclusively modelled by the senses. This study regards Faulkner’s decision to place a disabled character at the center of perception as the inaugural and emblematic gesture of his writing. Closely examining excerpts from Faulkner’s novels and a few short stories, Spill emphasizes how the corporal, temporal, sensorial, and narrative figures of "idiocy" are reflected throughout Faulkner’s work. These writing choices underlie some of his most compelling inventions and certainly contribute to his unmistakable writing style. In the process, Faulkner’s writing takes on a phenomenological dimension, simultaneously dismantling and reinventing the intertwined dynamics of perception and language.