Icons of Life tells the engrossing and provocative story of an early twentieth-century undertaking, the Carnegie Institution of Washington's project to collect thousands of embryos for scientific study. Lynn M. Morgan blends social analysis, sleuthing, and humor to trace the history of specimen collecting. In the process, she illuminates how a hundred-year-old scientific endeavor continues to be felt in today's fraught arena of maternal and fetal politics. Until the embryo collecting project-which she follows from the Johns Hopkins anatomy department, through Baltimore foundling homes, and all the way to China-most people had no idea what human embryos looked like. But by the 1950s, modern citizens saw in embryos an image of "ourselves unborn," and embryology had developed a biologically based story about how we came to be. Morgan explains how dead specimens paradoxically became icons of life, how embryos were generated as social artifacts separate from pregnant women, and how a fetus thwarted Gertrude Stein's medical career. By resurrecting a nearly forgotten scientific project, Morgan sheds light on the roots of a modern origin story and raises the still controversial issue of how we decide what embryos mean.

Everything you were taught about evolution is wrong.

To launch our new line of LIFE books celebrating legendary figures in our world, who better than Clint Eastwood? He is an icon among icons, a titanic figure in movie history still going strong at age 82. The recent dustup over his "Halftime in America" ad during the Super Bowl only confirms how large Eastwood looms in the American imagination: He is a Will Rogers or John Wayne walking among us. Clinton Eastwood Jr. was born in San Francisco, and nothing about him might have presaged his future except for rugged good looks. Those alone were enough to get him a supporting role in the TV series "Rawhide" in 1959. LIFE magazine was a weekly chronicler of Hollywood at the time, and we have been on the Eastwood case ever since: the spaghetti westerns (A Fistful of Dollars, etc.); the Dirty Harry movies; the directorial efforts, beginning with Play Misty for Me and right up through Unforgiven, Mystic River, Million Dollar Baby and Gran Torino; even the sideline jobs-his love of jazz piano and his career as a composer; his nonpartisan mayoralty of his chosen California town, Carmel-by-the-Sea. LIFE has visited Eastwood at home and even played golf with him on his own course overlooking the Pacific, and this will be an up-close-and-personal look at a man who is, perhaps as much as any American, too often seen as mere symbol. LIFE's new book series, ICONS, will present the famous in a way that allows our readers to know these people-often in a way they had never known them before.

Ro murmurs into my ear. "Don't be afraid, Dol. They're not coming for us." Still, he slips his arm around me and we wait until the sky is clear. Because he doesn't know. Not really. Everything changed on The Day. The day the Icon appeared in Los Angeles. The day the power stopped. The day Dol's family dropped dead. The day Earth lost a war it didn't know it was fighting. Since then, Dol has lived a simple life in the countryside with fellow survivor Ro-safe from the shadow of the Icon and its terrifying power. Hiding from the one truth she can't avoid. They're different. They survived. Why? When the government discovers their secret, they are forced to join faint-hearted Tima and charismatic Lucas in captivity. Called the Icon Children, the four are the only humans on Earth immune to the power of the Icons. Torn between brooding Ro and her evolving feelings for Lucas, between a past and a future, Dol's heart has never been more vulnerable. And as tensions escalate, the Icon Children discover that their explosive emotions-which they've always thought to be their greatest weaknesses-may actually be their greatest strengths. Bestselling author Margaret Stohl delivers a thrilling novel set in a haunting new world where four teens must piece together the mysteries of their pasts-in order to save their future.

This in-depth series of literary portraits studies celebrities who died in famous and tragic ways—ways that still resonate as archetypal death scenarios in present day. We know their likes and dislikes, admire their talents, envy them for daring to be what we can't or what we won't. When they are snatched from us, we feel a personal loss and an unwillingness to let go. And so we transform these mere human beings into icons whose stars often shine in death even more brilliantly than in life. Dead Celebrities, Living Icons: Tragedy and Fame in the Age of the Multimedia Superstar explores this phenomenon through a series of essays on 14 men and women who are, arguably, the most famous people of the 20th and early 21st centuries. The book covers the epoch of the celebrity beginning in the 1930s with Howard Hughes and Walt Disney and continues to the present day with the life and death of Michael Jackson. Far more than just a collection of biographies, Dead Celebrities, Living Icons documents the philosophical importance and significance of the contemporary cult of the celebrity and analyzes the tragic consequences of a human life lived in the glare of the media spotlight.

An intimate portrait of holiness as exemplified in the lives and thoughts of ten people of faith in the Eastern Orthodox Church. The author introduces readers to a diverse and unusual group of men and women who strove to put the Gospel of Christ into action in their lives.

Ill.