In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.

John Thiel, one of the most influential Catholic theologians today, argues that modern theologians have been unduly reticent in their writing about 'last things': death, judgment, Heaven, and Hell. He offers a revision of the traditional Catholic imaginary regarding judgment and life after death that highlights the virtuous actions of all the saints in their Heavenly response to the vision of God.

This extraordinary collection of full-page, full-color icons introduces readers, art appreciators, and historians to the spiritual riches of the Byzantine liturgical tradition. Father Michael Evdokimov, a Russian Orthodox priest living in Paris, has presented an icon for each of the twelve great feasts of the Orthodox Christian liturgical year, as well as for other special moments of prayer. Preceding each icon is a brief commentary explaining its meaning and significance. Furthermore, facing each icon are prayers appropriate for meditation that have been translated by the Monks of New Skete Monastery in upstate New York. In a simple and accessible manner, translator Robert Smith has brought text, prayers, and icons together to show how the beliefs and practices common to Orthodox people everywhere in the world can be appreciated by all. Book jacket.

This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.

The Eucharist: Mystery of Presence, Sacrifice, and Communion explores the three ends of the Sacrament of Sacraments: God’s true presence, His redemptive sacrifice, and spiritual nourishment through communion with Him. In this follow-up to his groundbreaking work, Faith Comes From What Is Heard, Lawrence Feingold constructs a biblical vision of the Eucharist from its prefigurement in the Old Testament to its fulfillment in the New and presents the Eucharistic theology of the Church Fathers, St. Thomas Aquinas, and magisterial teaching from centuries past through today. The Eucharist is a masterful text, both challenging and spiritually rich, that comprehensively examines the unspeakable mystery that is the Eucharist.

Eyes to See: The Redemptive Purpose of Icons offers the discovery of life-giving spiritual insights found through learning to read the language of religious icons. Written especially for those whose traditions have not included icons, this book introduces eight icons written (painted) by the author. Historical notes, explanation of symbolism, related scriptures for interpretation, and a reflection for each icon deepens understanding and appreciation for the ancient holy images of the Church. The book is eight chapters in length, each describing one of the eight full-color icon plates in the insert.