An anthology of translated and abridged classic works by authors previously little known to Western audiences: Cobo, Garcia, Santos, Vilhena, and Leite de Barros. They present critical analyses spanning hundreds of years, emphasizing Latin American cities of the first rank: Mexico City, Lima, Buenos Aires, Salvador da Bahia, Bogota, and Sao Paulo. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR

In this provocative edition, Whitman biographer Gary Schmidgall presents more than 200 of Whitman's finest poems, written during the creative and sexual prime of his life. Line drawings. 7 photos.

What would you do if you were drafted to fight in a war? As a conscientious objector opposed to all wars, Wayne R. Ferren Jr. had to answer that question during the Vietnam War. He called on his religious and scientific backgrounds as well as his environmental activism to argue that he should be excluded from fighting in, or supporting this war. Following a successful defense of his claim, Wayne served two years of alternative civilian service, which influenced his professional and personal life for the next fifty years. Decades after his service, he was shocked to find his name on the Vietnam War Memorial, which turned out to be that of another young man with a similar name born the same year Wayne was born. That man died in 1968 when his plane was hit by artillery fire and crash landed at Khe Sanh Marine Combat Base. He will forever remain a teenage father killed in a senseless war. To this day, the duality haunts the author, and in this multifaceted memoir, he looks back at a lifetime and how his background, scientific training, and transcendentalism have guided him on a path of conscientious objection, service, and conservation, believing all things are sacred.

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses—her family's house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold. Duke University Press Scholars of Color First Book Award recipient