I am Not Your Slave is the shocking true story of a young African girl, Tupa, who was abducted from southwestern Africa and funneled through an extensive yet almost completely unknown human trafficking network spanning the entire African continent. As she is transported from the point of her abduction on a remote farm near the Namibian-Angolan border and channeled to her ultimate destination in Dubai in the United Arab Emirates, her three-year odyssey exposes the brutal horrors of a modern day middle passage. During her ordeal, Tupa encounters members of Africa's notorious gangs, terrifying witchdoctors, mysterious middlemen from China, corrupt police and border officials, Arab smugglers and high-ranking United Nations officials. And of course, Tupa meets her fellow trafficking victims, young women and girls from around the world. Tupa's harrowing experience, including her daring escape and eventual return home, sheds light on the most shocking aspects of modern day slavery, as well as the essential determination to be free.

Mende Nazer lost her childhood at age twelve, when she was sold into slavery. It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master-a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom. Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

Poetry. Allusive, oracular, heretical, brash, learned, apocalyptic, astronomical, funny, lustful, and deceptively wise, Anthony Madrid's long-awaited first collection, I AM YOUR SLAVE NOW DO WHAT I SAY, is a book of ghazals that assault conventions while often reading like deranged love letters.

For Imtiyaaz, the job in abroad was no less than the God's blessing. The naïve Muslim girl, Imtiyaaz with dreams galore could not resist the lure of a promising career in Dubai, a city of abundance, glee & world of opportunities. She plunged in to chase her dreams with her father's small savings. Though her friends have reservations about going her abroad all alone, she did not let any hurdle come in her way. With myriad expectations, when she reached there, a call from her new workplace about immediate joining changed everything.

"Is marriage a privilege or a right? A sacrament or a contract? Is it a public or a private matter? Where does ultimate jurisdiction over it lie? And when a marriage goes wrong, how do we adjudicate marital disputes-particularly in the usual circumstance, where men and women do not have equal access to power, justice, or even voice? These questions have long been with us because they defy easy, concrete answers. Kirsten Sword here reveals that contestation over such questions in early America drove debates over the roles and rights not only of women but of all unfree people. Sword shows how and why gendered hierarchies change-and why, frustratingly, they don't"--

"Dear Master" is a rare firsthand look at the values, self-perception, and private life of the black American slave. The fullest known record left by an American slave family, this collection of more than two hundred letters--including seven discovered since the book's original appearance--reveals the relationship of two generations of the Skipwith family with the Virginia planter John Hartwell Cocke. The letters, dating from 1834 to 1865, fall into two groups. The first were written by Peyton Skipwith and his children from Liberia, where they settled after being freed in 1833 by Cocke, a devout Christian and enlightened slaveholder. The letters, which tell of harsh frontier life, reveal the American values the Skipwiths took with them to Africa, and express their faith in Liberia's future and pride in their accomplishments. The second group of letters, written by George Skipwith and his daughter Lucy, originate from Cocke's Alabama plantation, an experimental work community to which Cocke sent his most talented, responsible slaves to prepare them for the moral and educational challenges of emancipation. George, a "privileged bondsman," was a slave driver. His letters about the management of the plantation include reports on the slaves' conduct and any disciplinary actions he took. Readers can sense George's pride in his work and also his ambivalence toward his role as leader in the slave hierarchy. Lucy, Cocke's chief domestic slave, was the plantation nurse and teacher. Her letters, filled with details about spiritual, familial, and health matters, also display her skill at exploiting her master's trust and her uncommon boldness, for she spoke against whites to her master when she felt they hampered his slaves' education. "Dear Master" affirms that these slaves and former slaves were not simply victims; they were actors in a complex human drama. The letters imply trust and affection between master and slave, but there were other motives as well for the letter-writing. The Liberian Skipwiths needed American-made supplies; moreover, the whole family may have viewed their relationship with Cocke as a chance to help free other slaves. In his new preface, Miller reevaluates his book in light of changes in the historiography of American slavery over the past decade.

While more and more people each day become aware of the dangerous world of human trafficking, many people in the U.S. believe this is something that happens to foreign women men and children not something that happens to their own children and neighbors. They couldn't be more wrong. In this powerful true story. Theresa Flores shares how her life as an All American, 15-years-old teenager was enslaved into the dangerous world of sex trafficking-all while living at home with unsuspecting parents in an upper-middle class suburb of Detroit. Her story peels the cover off of this horrific criminal activity and gives dedicated activists as well as casual bystanders a glimpse into the underbelly of human trafficking Even more importantly, Theres's story and expertise as a counselor and licensed social worker help identify red flags that could prevent her plight from becoming the fate of an unsuspecting teenager. She discusses how she healed the wounds of sexual servitude and offers advice to parents and professionals through prevention tips, education and significant information on human trafficking in modern day America. With insights and perspectives from a doctor, a friend and her own brother, Theres's memoir provides a well-rounded portrait of the dark world of human trafficking and serves as a reminder of the most important clement to overcoming slavery: hope. Book jacket.