A 2015 Amelia Bloomer List Selection "You will be a son, my daughter." With these stunning words Ukmina learned that she was to spend her childhood as a boy. In Afghanistan there is a widespread practice of girls dressing as boys to play the role of a son. These children are called bacha posh: literally "girls dressed as boys." This practice offers families the freedom to allow their child to shop and work—and in some cases, it saves them from the disgrace of not having a male heir. But in adolescence, religion restores the natural law. The girls must marry, give birth, and give up their freedom. Ukmina decided to confront social and family pressure and keep her menswear. This brave choice paved the way for an extraordinary destiny: she wages war against the Soviets, assists the mujaheddin and ultimately commands the respect of all whom she encounters. She eventually becomes one of the elected council members of her province. But freedom always has a price. For "Ukmina warrior" that price was her life as a woman. This is a stunning and brave memoir about a little known practice that will challenge your perceptions about gender and the courage it takes to live your life to the fullest. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

An award-winning foreign correspondent who contributed to a Pulitzer Prize-winning New York Times series reveals the secret Afghan custom of disguising girls as boys to improve their prospects, discussing its political and social significance as well as the experiences of its practitioners.

"A powerful collection of testimonies that depict the struggles and hopes of Afghan women. An often emotional and at times painful read, this book is ultimately a poignant celebration of human resilience under unimaginable duress. " —KHALED HOSSEINI, New York Times bestselling author of The Kite Runner "I am deeply touched by these stories...Dear Zari should be read by anyone who cares and wants to know about Asia and Asian women." —XINRAN "All the stories in Dear Zari illustrate the suffering caused by deeply ingrained Afghan traditions. But [the women's} bravery and resilience shines through and Kargar touchingly reveals how hearing others' life stories finally gave her the courage to share her own. " —The Independent Moving, enlightening, and heartbreaking, Dear Zari gives voice to the secret lives of Afghan women. For the first time, Dear Zari allows these women to tell their stories in their own words: from the child bride given as payment to end of a family feud, to a life spent in a dark, dusty room weaving carpets, from a young girl being brought up as a boy, to a woman living as a widow shunned by society. Intimate, emotional, painful and uplifting, these stories uncover the suffering and strength of women in this deeply religious and intensely traditional society, and show how their courage is an inspiration to women everywhere.

Perfect for fans of Rita Williams-Garcia, Thanhha Lai, and Rebecca Stead, internationally bestselling author Nadia Hashimi’s first novel for young readers is a coming-of-age journey set in modern-day Afghanistan that explores life as a bacha posh—a preteen girl dressed as a boy. Obayda’s family is in need of some good fortune, and her aunt has an idea to bring the family luck—dress Obayda, the youngest of four sisters, as a boy, a bacha posh. Life in this in-between place is confusing, but once Obayda meets another bacha posh, everything changes. Their transformation won’t last forever, though—unless the two best friends can figure out a way to make it stick and make their newfound freedoms endure. Nadia Hashimi’s first novel for adults, The Pearl That Broke Its Shell, was a bestseller that shares a bacha posh character with One Half from the East.

Afghan-American Nadia Hashimi's literary debut novel is a searing tale of powerlessness, fate, and the freedom to control one's own fate that combines the cultural flavor and emotional resonance of the works of Khaled Hosseini, Jhumpa Lahiri, and Lisa See. In Kabul, 2007, with a drug-addicted father and no brothers, Rahima and her sisters can only sporadically attend school, and can rarely leave the house. Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters. But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-great grandmother, Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way. Crisscrossing in time, The Pearl the Broke Its Shell interweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of marriageable age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?

Because the Taliban rulers of Kabul, Afghanistan impose strict limitations on women's freedom and behavior, eleven-year-old Parvana must disguise herself as a boy so that her family can survive after her father's arrest.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was invited to attend the award ceremony for Most Courageous Women of the World, and I was extremely nervous. I was scared that people would see past my disguise and realize that I was just an illiterate peasant from southern Afghanistan. #2 I was at the US Department of State, and I thought about Badgai, the strong and brave woman who had the courage no man ever had. I was afraid of all the women there, and did not like their clothes or their loud laughter. #3 I wanted to write this book so that people would understand the lives of Afghan women. I wanted to be visible, and I wanted people to talk about us, the Afghans who fight to no longer be ghosts.