What can a little witch do when her witchy spells and potions don't turn out right? She just keeps on trying until it's time for bed. The readers then discover her true identity. A lovely surprise!

This Christmas, join Michael Rosen and Tony Ross with their unforgettable retelling of Charles Dickens' beloved classic. In a school theatrical production of "A Christmas Carol", the boy who plays Scrooge is extra nervous because his very busy father is in the audience. However, it's likely his father won't stay for the duration, due to business. As always. Will the classic story's message of Christmas cheer and family love reach his father's distracted heart?

Ellie Pearce adores Christmas so much she celebrates all year round, earning herself the nickname Christmas Girl. If only she liked her job as much as eggnog lattes and mistletoe. Stuck as a marketing analyst for London-based recruitment company Caldwell & Atkinson, Ellie is desperate for a career change but afraid to take a chance. CEO Rosalind Caldwell needs a new personal assistant after the last one quit, putting the extremely important corporate Christmas party in jeopardy. Christmas Girl is just the holiday miracle Rosalind needs, and Ellie is quickly promoted to the top floor of the Canary Wharf skyscraper. Ellie isn’t a PA, has never planned a party in her life, and is terrified of heights. If things weren’t bad enough, she then goes and develops a ridiculous crush on her totally intimidating new boss. With the festive season fast approaching, what could possibly go wrong?

How does advertising work? Does it have to attract conscious attention in order to transmit a 'Unique Selling Proposition'? Or does it insinuate emotional associations into the subconscious mind? Or is it just about being famous... or maybe something else again?

You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.

Christmas is coming but someone is playing tricks! Torn stockings and broken candy canes reveal that The Christmas Humbugs have arrived at this holiday home. But do not fear, lively rhymes and merry illustrations by Colleen and Michael Glenn Monroe lift spirits and let readers know that not even the Humbugs can dampen Christmas cheer.