Thirteen short stories by the legendary author of The Man in the High Castle and other science fiction classics. Philip K. Dick didn’t predict the future―he summoned the desperate bleakness of our present directly from his fevered paranoia. Dick didn’t predict the Internet or iPhones or email or 3D printers, but rather he so thoroughly understood human nature that he could already see, even at the advent of the transistor, the way technology would alienate us from each other and from ourselves. He could see us isolated and drifting in our own private realities even before we had plugged in our ear buds. He could see, even in the earliest days of space exploration, how much of our own existence remained unexplored, and how the great black spaces between people were growing even as our universe was shrinking. Philip K. Dick spent his first three years as a science fiction author writing shorter fiction, and in his lifetime he composed almost 150 short stories, many of which have gone on to be adapted into (slightly watered down) Hollywood blockbusters. Collected here are thirteen of his most Dickian tales, funhouse realities with trap doors and hidden compartments.

Includes the stories that inspired the movies Total Recall, Screamers, Minority Report, Paycheck, and Next "More than anyone else in the field, Mr. Dick really puts you inside people's minds." --The Wall Street Journal The Philip K. Dick Reader Many thousands of readers consider Philip K. Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works. Dick won the prestigious Hugo Award for the best novel of 1963 for The Man in the High Castle. In the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep? This collection includes some of Dick's earliest short and medium-length fiction, including We Can Remember It for You Wholesale (the story that inspired the motion picture Total Recall), Second Variety (which inspired the motion picture Screamers), Paycheck, The Minority Report, and twenty more.

Cardinal Walter Kasper has written, "It is time, it is the right time, to speak of God." In this book, readers are invited to explore the Hebrew Bible and use their God-given ability to work through important questions about God, including: Why is God so angry in the Bible? Is the biblical God male or female (or what)? Who is Satan? Why do people suffer? By exploring the Bible's answers to these and other biblical questions, Smith offers readers encouragement to "think from the heart"-that is, "intellectual exploration that is touched by the heart and also touches on matters of the heart"-about the nature of God. Readers are further invited to nourish their vision of God in order to better know and serve God and humanity.

This book is a collection of the life stories of ten fantastic human beings from different parts of the world and different backgrounds. It aims not to impart information, which is easily available in this Internet era, but to ignite inspiration that could stay for a lifetim. It may not soothe young readers to sleep, but it may awaken them to the profound real world more amazing than fiction. It will not give ready-made answers to life’s questions; but it will intrigue young readers with life stories of a few humans, nudge them with compelling questions, and help them evolve their own human consciousness. Here is a book which one can come back to again and again, and always get something new out of it. Here is a book that helps to seek and know the joy of wondering about life. Here is a book that is not about super-humans, but about realizing that BEING HUMAN IS SUPER.

"Inspiring and eye-opening..."— *starred* Booklist review “A compassionate and expert window into the netherworlds of immigration..."—Lauren Markham, author of The Far Away Brothers Now in paperback, with a new afterword by the author, an immigration lawyer's journalistic account of keeping American borders and dreams alive. In this powerful and personal narrative, a distinguished immigration lawyer guides us through the trials and terrors of modern immigration law. Beginning in a day in the life of an undocumented immigrant, Sepulveda proceedes through a processing intake and a heartwrenching court hearing. He takes us to a Texas border detention center where mothers and childen are essentially imprisoned, then on to New York's JFK airport during the weekend of Trump's infamous travel ban, where Sepulveda joined many other attorneys to provide pro bono legal counsel for passengers endangered with deportation. In this multi-faceted account of being on the front lines at one of the biggest crisis of our time, Sepulveda recounts growing up the son of a Latin American immigrant, his time in Spain as a Fulbright fellow to study Europe's ongoing migrant crisis and, in a new Afterword, his testimony before a Senate committee to advocate on behalf of undocumented youth.

Argues that blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically antiblackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of blackness—the process of imagining the black person as an empty vessel, a non-being, an ontological zero—and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."

As our culture becomes ever more fluid, the world is finally catching up with even the most bizarre of Philip K. Dick's imaginings. Twenty five years after his death we are living in his world, as this collection of his best short fiction illustrates.