Photographic album of the origins and development of Chinese communities around the world.

Zuo Tradition (Zuozhuan; sometimes called The Zuo Commentary) is China�s first great work of history. It consists of two interwoven texts - the Spring and Autumn Annals (Chunqiu, a terse annalistic record) and a vast web of narratives and speeches that add context and interpretation to the Annals. Completed by about 300 BCE, it is the longest and one of the most difficult texts surviving from pre-imperial times. It has been as important to the foundation and preservation of Chinese culture as the historical books of the Hebrew Bible have been to the Jewish and Christian traditions. It has shaped notions of history, justice, and the significance of human action in the Chinese tradition perhaps more so than any comparable work of Latin or Greek historiography has done to Western civilization. This translation, accompanied by the original text, an introduction, and annotations, will finally make Zuozhuan accessible to all.

For more than twenty years the standard view among anthropologists has been that Polynesians evolved from a group of settlers known as Lapita people whose characteristically dentate-stamped pottery has been found on numerous mostly Melanesian sites, and who entered Fiji more than 3000 years ago from a starting point in the Bismarck Archipelago. An alternative view that champions Micronesia as a primary area of origin for Polynesians has been in limbo as a result of the prevailing theory, but is reappraised in the present book and found once again to be in contention. The book takes an historical view of theories of origin, and provides some account of methodologies used by scholarly disciplines which have been brought to bear on the subject, including evidence from music and dance, which forms the core of the book.

His family was poor and destitute. His mute daughter, Yang Xiaoya, was sold to the Zhang family as a child's bride.Nanny's abuse and scolding, scum man looked down on, Yang Xiaoya's weakness and suffering could not be described with words ...An accident and he actually saw the dirty secret of the scum man. Xiao Ya was scalded to death by boiling water.Waking up again, his soul had been replaced by a top secret service agent ...Battle Granny, punish Little San, whoever dares to come!Poor and destitute people living on the four walls? It doesn't matter! Hunting in the mountains, selling breakfast in the town, Yang Xiaoya was proficient at capturing prey!"Miss, you sure are good at selling things!""Humph!" That's a must! "She had a serious appearance, but her heart was sullen. Elegant Young Master Bai Jianqing, welcome to pick her up ~

Through the Mystery of Time

In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies. Each contribution develops a theoretical model to illuminate new insights into a key musical genre or context. This handbook is categorized into three parts. In Part One, authors explore the extensive, remarkable, and polyvocal historical legacies of Chinese music. Ranging from archaeological findings to the creation of music history, chapters address enduring historical practices and emerging cultural expressions. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning that change. Part Three responds to the role that prominent issues, including sexuality, humanism, the amateur, and ethnicity, play in the broad field of Chinese music studies. Scholars present systematic orientations for researchers in the third decade of the twenty-first century. This volume incorporates extensive input from researchers based in China, Taiwan, and among Chinese communities across the world. Using a model of collaborative inquiry, The Oxford Handbook of Music in China and the Chinese Diaspora features diverse insider voices alongside authors positioned across the anglophone world.

Sixty traditional Maori songs of Tuhoe sung by Kino Hughes are presented in this book and CD collection. The text of each song is given in both English and Maori along with a musical transcription. Kino Hughes was an outstanding singer, orator, and respected Kaumatua who, determined to preserve for future generations all the songs he knew, asked these authors to compile this magnificent record. The introduction includes information on Kino Hughes, on the people of the Tuhoe Maori tribe, on the song categories used, and on the music. This important record of Maori music includes photographs, a glossary, notes on the texts, transcriptions, and an index of song types. Includes 2 CD-ROMs.