From New York Times Bestselling Author Madeline Martin From courtesan …to society wife? When Evander, Earl of Westix, returns from the continent to claim his bride, he is shocked that the innocent vicar’s daughter he once loved has become a notorious courtesan. But Lottie is so much more than the insult society hurls at her. She is resourceful and strong—after all, she’s had to be to survive. Her charms are undeniable, but her heart is beyond his grasp. To win it will mean taking her from bedroom to ballroom… From Harlequin Historical: Your romantic escape to the past. The London School for Ladies Book 1: How to Tempt a Duke Book 2: How to Start a Scandal Book 3: How to Wed a Courtesan

From courtesan ...to society wife?

The Marquess Next Door - Virginia Heath A dashing new neighbour...temptation on her doorstep! To avoid an unwanted suitor at a ball, Hope Brookes asks another gentleman to rescue her. He obliges - with a surprisingly passionate kiss! Revealed as her sinfully handsome new neighbour, Lucius, Marquess of Thundersley, they forge a friendship over their balconies. It's refreshing that Lucius is more interested in her writer dreams than her looks, so why can't she stop thinking about that kiss? How To Wed A Courtesan - Madeline Martin From courtesan...to society wife? When Evander, Earl of Westix, returns from the continent to claim his bride, he is shocked that the innocent vicar's daughter he once loved has become a notorious courtesan. But Lottie is so much more than the insult society hurls at her. She is resourceful and strong - after all, she's had to be to survive. Her charms are undeniable, but her heart is beyond his grasp. To win it will mean taking her from bedroom to ballroom...

In order to find herself a husband, Lady Amelia enlists the aid of notorious courtesan-turned-matchmaker Sophia Dalby, who comes up with a plan to hold interviews with the ton's eligible dukes for the position of husband, but hopeful suitor Lord Cranleigh comes up with his own scheme to woo the lady of his choice. Original.

No detailed description available for "The morality-patterned comedy of the Renaissance".

Thomas Middleton is one of the few playwrights in English whose range and brilliance comes close to Shakespeare's. This handsome edition makes all Middleton's work accessible in a single volume, for the first time. It will generate excitement and controversy among all readers of Shakespeare and the English classics.

Thomas Middleton (1580-1627) - 'our other Shakespeare' - is the only other Renaissance playwright who created lasting masterpieces of both comedy and tragedy; he also wrote the greatest box-office hit of early modern London (the unique history play A Game at Chess). His range extends beyond these traditional genres to tragicomedies, masques, pageants, pamphlets, epigrams, and Biblical and political commentaries, written alone or in collaboration with Shakespeare, Webster, Dekker, Ford, Heywood, Rowley, and others. Compared by critics to Aristophanes and Ibsen, Racine and Joe Orton, he has influenced writers as diverse as Aphra Behn and T. S. Eliot. Though repeatedly censored in his own time, he has since come to be particularly admired for his representations of the intertwined pursuits of sex, money, power, and God. The Oxford Middleton, prepared by more than sixty scholars from a dozen countries, follows the precedent of The Oxford Shakespeare in being published in two volumes, an innovative but accessible Collected Works and a comprehensive scholarly Companion. Though closely connected, each volume can be used independently of the other. The Collected Works brings together for the first time in a single volume all the works currently attributed to Middleton. It is the first edition of Middleton's works since 1886. The texts are printed in modern spelling and punctuation, with critical introductions and foot-of-the-page commentaries; they are arranged in chronological order, with a special section of Juvenilia. The volume is introduced by essays on Middleton's life and reputation, on early modern London, and on the varied theatres of the English Renaissance. Extensively illustrated, it incorporates much new information on Middleton's life, canon, texts, and contexts. A self-consciously 'federal edition', The Collected Works applies contemporary theories about the nature of literature and the history of the book to editorial practice.