This book investigates how individual politicians and political parties strategically make use of the media to reach their political goals. Looking beyond a purely Americentric viewpoint, the chapters present data from more than ten Western democracies to argue that the media are both a source of information and an arena for political communication. This double functional role of the media is examined from both a theoretical and an empirical perspective, including chapters dealing with different aspects of politics - from campaigning to law making - and within different political contexts. The role of the news media is discussed from the perspective of the political actor, focusing on both the opportunities and the constraints the news media provide, resulting in a multidisciplinary text that will appeal to students and scholars of both communication and political science.

In the third edition of this title, the author offers a broad critical preface to the relationship between politics, the media and democracy in the UK and other contemporary societies.

From the start of the French Revolution, contemporary observers were struck by the overwhelming theatricality of political events. Examples of convergence between theater and politics included the election of dramatic actors to powerful political and military positions and reports that deputies to the National Assembly were taking acting lessons and planting paid "claqueurs" in the audience to applaud their employers on demand. Meanwhile, in a mock national assembly that gathered in an enormous circus pavilion in the center of Paris, spectators paid for the privilege of acting the role of political representatives for a day.Paul Friedland argues that politics and theater became virtually indistinguishable during the Revolutionary period because of a parallel evolution in the theories of theatrical and political representation. Prior to the mid-eighteenth century, actors on political and theatrical stages saw their task as embodying a fictional entity—in one case a character in a play, in the other, the corpus mysticum of the French nation. Friedland details the significant ways in which after 1750 the work of both was redefined. Dramatic actors were coached to portray their parts abstractly, in a manner that seemed realistic to the audience. With the creation of the National Assembly, abstract representation also triumphed in the political arena. In a break from the past, this legislature did not claim to be the nation, but rather to speak on its behalf. According to Friedland, this new form of representation brought about a sharp demarcation between actors—on both stages—and their audience, one that relegated spectators to the role of passive observers of a performance that was given for their benefit but without their direct participation. Political Actors, a landmark contribution to eighteenth-century studies, furthers understanding not only of the French Revolution but also of the very nature of modern representative democracy.

This book provides comprehensive coverage of the models of contemporary democracy; its social, cultural, economic and political prerequisites; its empirically existing varieties and its two major challenges - globalization and mediatization. The book also covers the global spread of democracy and its spread into supranational democracies.

Provides academics, journalists, and general readers with bird's-eye view of data-driven practices and their impact in politics and media.

This work examines the role and influence of the media in every sphere of American politics. Organized thematically, the book analyzes the relationship between the media and key institutions, political actors and nongovernmental entities, as well as the role of the new media, media ethics and foreign policy coverage. Written by leading scholars in the field, the chapters serve as broad overviews to the issues while discussion questions and suggestions for further reading encourage deeper inquiry. Designed to complement a wide variety of classes the book is a look at the pervasive influence of the media in American society.