Have you not always wondered as a child if witches really flew during the night on their brooms? And what was their destination? "How Do Witches Fly?" is an answer to these questions. It shows that witches anointed themselves with the "flying" ointment before they flew to their gatherings on special nights of the year. The book scientifically dissects the ointment and reveals its herebal and animal ingredients and biochemical components. It is a popular science treatise on alkaloids and their action, spiced with curious stories about Mediaeval witchcraft rituals. It offers recipes of the ointment and advances a biochemical theory on the mechanisms of the ointment action on human senses and perception. The book features the art of the world-renowned artist Barbara Broughel, which bridges the history of New England witchcraft trials and contemporary American society. "How Do Witches Fly?" is a charming reference book for students of herbalism, biochemistry, Mediaeval history and occultism of various ages and education. What a great Halloween reading! But Halloween is every night according to the author.

In this lovely, poetic picture book, a young girl dreams of flying on her broom. Stunning block illustrations make this a perfect choice for a fall story time. NY Times bestselling author Alison McGhee creates a bewitching tale about finding one's own path.

A Slice of Magic -- Makoto and her cousins visit a café run by a witch that’s cloaked in magic and has regular visitors from folks on the "other side." Inukai stops by to make amends, and Nao gets a taste of some spicy medicine. Akane drops by just in time for a very special sighting of a rare, sky-borne animal…

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.

Waking up in Mictlan, the underworld entrance of the North, nearly dead from an evil witch's attack—this is where James Endredy's gripping true account of his experience with the witches of Veracruz begins. As the apprentice of a powerful curandero, or healer, Endredy learns the dangerous magic and mystical arts of brujería, a nearly extinct form of Aztec witchcraft, and his perilous training is fraught with spiritual trials and tests. Taught how to invoke spirits of the underworld for assistance and use dream trance to "fly," Endredy is subjected to the black magic of a brujo negro and left alone in the graveyard of the brujo masters to fight for his life. He is also called upon to do battle with the most sinister of all witches—el Brujo de Muerte, the Witch of Death. Upon becoming a curandero himself, Endredy takes on harrowing real-life cases: healing a young man possessed by the spirit of an Aztec warrior, rescuing a teenage girl from a Mexican drug cartel, and hunting down a vampire witch terrorizing a small community.

A Community of Witches explores the beliefs and practices of Neo-Paganism and Witchcraft—generally known to scholars and practitioners as Wicca. While the words "magic," "witchcraft," and "paganism" evoke images of the distant past and remote cultures, this book shows that Wicca has emerged as part of a new religious movement that reflects the era in which it developed. Imported to the United States in the later 1960s from the United Kingdom, the religion absorbed into its basic fabric the social concerns of the time: feminism, environmentalism, self-development, alternative spirituality, and mistrust of authority. Helen A. Berger's ten-year participant observation study of Neo-Pagans and Witches on the eastern seaboard of the United States and her collaboration on a national survey of Neo-Pagans form the basis for exploring the practices, structures, and transformation of this nascent religion. Responding to scholars who suggest that Neo-Paganism is merely a pseudo religion or a cultural movement because it lacks central authority and clear boundaries, Berger contends that Neo-Paganism has many of the characteristics that one would expect of a religion born in late modernity: the appropriation of rituals from other cultures, a view of the universe as a cosmic whole, an emphasis on creating and re-creating the self, an intertwining of the personal and the political, and a certain playfulness. Aided by the Internet, self-published journals, and festivals and other gatherings, today's Neo-Pagans communicate with one another about social issues as well as ritual practices and magical rites. This community of interest—along with the aging of the original participants and the growing number of children born to Neo-Pagan families—is resulting in Neo-Paganism developing some of the marks of a mature and established religion.