The story of the Civil War and Reconstruction in Greene County, Georgia, is a remarkable tale of both fundamental change and essential continuity. In How Curious a Land, Jonathan Bryant follows the county's social, economic, and legal transformation from a wealthy, self-sufficient plantation economy based on slavery to a largely impoverished, economically dependent community dominated by a new commercial class of merchants and lawyers. Emancipated slaves made up two-thirds of the county's population at the end of the Civil War, and thanks to an able, charismatic, and politically active leadership, they enjoyed early success in pressing for their rights. But their gains, says Bryant, were only temporary, because the white elite retained control of the legal system and used it effectively against blacks. Law also helped shape the course of economic change as, for example, postbellum laws designed to benefit the new commercial elite ensured poverty for most of the county's small farmers, both black and white, by relegating them to the status of sharecroppers and tenants. As a result, the county's wealth, though greatly diminished in the postbellum years, remained concentrated in the hands of a small elite.

How the Jesuit accomodation to internal events in China laid the foundation for modern study of China in the West. First published as Studia Leibnitiana, Supplementa 25 (1985) by Fritz Steiner Verlag. Annotation copyright Book News, Inc. Portland, Or.

Susan Muaddi Darraj's short story collection about the inhabitants of a Palestinian West Bank village, Tel al-Hilou, spans generations and continents to explore ideas of memory, belonging, connection, and, ultimately, the deepest and richest meaning of home. A Curious Land gives voice to the experiences of Palestinians in the last century. An excerpt from A Curious Land: When Rabab lowered the magad and clapped-clapped to the well in her mother's too-big slippers, the stone jar digging into her shoulder, she didn't, at first, see the body. The morning sun glazed everything around her -- the cement homes, the iron rails along one wall, the bars on the windows, the stones around the well -- and made her squint her itchy eyes. She was hungry. That was all. They'd arrived here only last night, stopping as soon as Awwad and the men were sure the army had moved south. It must have been the third time in just a few weeks -- collapse the tents, load the mules, disappear into the sands. She hoped this war would end soon, and she didn't really care who won, as long as it ended because they hadn't eaten well in two years. In the past few months, her mother had sold all her gold, except for her bracelet made of liras. It was the only thing left, and she was holding onto it, and Rabab realized, so were they all; she imagined that, the day it was sold, when her mother's wrist was bare, would signal that they were at the end.

An illustrated history of the wonderful and curious things of nature existing before and since the deluge being a natural history of the sea illustrated by stirring adventures with whales also a natural history of land-creatures.

* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).

Traces the story of the MacIvey family of Florida from 1858 to 1968.

Since that ancient day when the first human drew a line connecting Point A to Point B, maps have been understood as one of the most essential tools of communication. Despite differences in language, appearance, or culture, maps are universal touchstones in human civilization. Over the centuries, maps have served many varied purposes; far from mere guides for reaching a destination, they are unique artistic forms, aides in planning commercial routes, literary devices for illuminating a story. Accuracy—or inaccuracy—of maps has been the make-or-break factor in countless military battles throughout history. They have graced the walls of homes, bringing prestige and elegance to their owners. They track the mountains, oceans, and stars of our existence. Maps help us make sense of our worlds both real and imaginary—they bring order to the seeming chaos of our surroundings. With The Curious Map Book, Ashley Baynton-Williams gathers an amazing, chronologically ordered variety of cartographic gems, mainly from the vast collection of the British Library. He has unearthed a wide array of the whimsical and fantastic, from maps of board games to political ones, maps of the Holy Land to maps of the human soul. In his illuminating introduction, Baynton-Williams also identifies and expounds upon key themes of map production, peculiar styles, and the commerce and collection of unique maps. This incredible volume offers a wealth of gorgeous illustrations for anyone who is cartographically curious.