In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.

Most homes built in the United States over the last fifty years were merely plopped down on a piece of land without any real integration of house and site. The result is a suburban sprawl of homes that are as uninspiring as they are environmentally unsustainable. House in the Landscape offers a viable alternative for landowners who want to build in a more thoughtful manner. Twenty-two houses by some of today's best-known residential architects illustrate nine site types from all over the United States. Each site, the issues it posed, the solutions the architects found, andthe resulting house design are discussed and explained in detail, providing a wealth of siting information for the reader.

... how to bring house and garden into perfect harmony.

Anchored by Austin and San Antonio, Texas Hill Country is celebrated for its frontier history and natural beauty. Architects and interior designers build contemporary houses using local materials and drawing on the area’s diverse heritage—Spanish Colonial missions and Mexican-style haciendas, French pioneers’ log cabins, German stonework, and the legacy of the “new regionalism” espoused by O’Neil Ford in the 1930s—to create inspired residences that respect tradition and allow their owners to enjoy expansive rural surroundings. This volume presents nineteen of the area’s most remarkable private houses, with lush photography to provide a glimpse of how life in Central Texas is unique—from restored Victorian houses in bohemian Southtown, to a glass-walled ranch in Boerne canopied by oak trees; from floating stairs and sustainable systems to the casual elegance of country antiques, screen porches, and longleaf pine floors. The rolling hills, spring-fed creeks, rivers, timber forests, and fertile grass-covered prairies of Hill Country—along with their abundance of natural materials such as limestone, cedar, local pecan, mesquite, oak, and cypress—inspire architects and interior designers to create beautiful modern spaces. They draw from the strong vernacular tradition of classic farmhouses that once dotted the land, and the building techniques that have been handed down through generations. The architecture and interiors featured here in beautiful full-color photography celebrate the wonderful particularities of this singular place.

Cedar Grove, The Cliffs, Grumblethorpe, Mount Airy, Bartram's House and Garden: Accommodation of the Vernacular

Twenty-five recent residential projects from around the United States take the concept of “green living” to the next architectural level. Going beyond the simple use of sustainable materials, these houses are designed to frame a very particular vision of nature for their owners that brings them as close as possible to nature while remaining indoors. Featured are dynamic designs by today's most energetic architectural firms including ARO, Tod Williams/Billie Tsien, Diller Scofidio + Renfro as well as up-and-coming smaller firms. Houses vary in scale, complexity, and site to give a broad survey of the potential of this cutting-edge approach.

Winner, 2009 Abbott Lowell Cummings Prize. Vernacular Architecture Forum This pioneering study explains how one of America’s important early cities responded to the challenge of housing its poorer citizens. Where and how did the working poor live? How did builders and developers provide reasonably priced housing for lower-income groups during the city's growth? Having studied over 3,000 surviving alley houses in Baltimore through extensive land records and census research, Mary Ellen Hayward systematically reconstructs the lives, households, and neighborhoods that once thrived on the city's narrowest streets. In the past, these neighborhoods were sometimes referred to as "dilapidated," "blighted," or "poverty stricken." In Baltimore's Alley Houses, Hayward reveals the rich cultural and ethnic traditions that formed the African-American and immigrant Irish, German, Bohemian, and Polish communities that made their homes on the city's alley streets. Featuring more than one hundred historic images, Baltimore's Alley Houses documents the changing architectural styles of low-income housing over two centuries and reveals the complex lives of its residents.