At Bertram’s Hotel the intrepid Miss Marple, on holiday in London, must solve a deadly mystery at the end of a chain of very violent events. An old-fashioned London hotel is not quite as reputable as it makes out to be.… When Miss Marple comes up from the country for a holiday in London, she finds what she’s looking for at Bertram’s Hotel: traditional decor, impeccable service, and an unmistakable atmosphere of danger behind the highly-polished veneer. Yet, not even Miss Marple can foresee the violent chain of events set in motion when an eccentric guest makes his way to the airport on the wrong day.…

A grand old London hotel A series of alarming coincidences Danger lurking down every corridor

Previously published in the print anthology The Thirteen Problems. A woman is warned by a psychic of the evil and danger in her house. On a full moon, she must watch for the signs: blue primrose means caution, blue hollyhock is danger, and blue geranium is death!

During a vacation in London, Miss Marple becomes suspicious of the other guests in her too-dignified West End hotel.

Despite the title, the stories collected here recount cases from the middle of Miss Marple's career. They are: 'Sanctuary'; 'Strange Jest'; 'Tape-Measure Murder'; 'The Case of the Caretaker'; 'The Case of the Perfect Maid'; 'Miss Marple Tells a Story'; 'The Dressmaker's Doll'; 'In a Glass Darkly'; 'Greenshaw's Folly.'

In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar.