A thrilling study of the greatest of all epic poems, by one of the world's leading classicists Homer's Iliad is the famous epic poem set among the tales of Troy. Its subject is the anger of the hero Achilles and its dreadful consequences for the warring Greeks and Trojans. It was composed more than 2,600 years ago, but still transfixes us with its tale of loss and battle, love and revenge, guided throughout by the active presence of the gods. Its beauty and profound bleakness are intensely moving but great questions remain: where, how and when it was composed and why it has such enduring power? In this compelling book Robin Lane Fox addresses these questions, drawing on a life-long love and engagement with the poem. He argues for a place, a date and a method for its composition, giving us a sense of alternative approaches and grounding his own in discoveries about long heroic poems composed elsewhere in the world, and the ever-growing evidence of archaeology. Unlike other books on the Iliad, this one combines the detailed expertise of a historian with the sensitivity of a teacher of it as poetry. Lane Fox goes on to consider hallmarks of the poem, its values, implicit and explicit, its characters, its women, its gods and even its horses. He argues repeatedly for its beautiful observation and addresses its parallel use of what is, to us, the natural world. Thousands of readers turn to the Iliad every year. In this superbly written and conceived tribute, Lane Fox expresses and amplifies what old and new readers can find in it. It is pervaded, he argues, by a poignant hardness which is not just a poetic trick. It is a deeply held view of the world.

Examines "The Iliad" and "The Odyssey" from their origins, the colorful characters and events chronicling the Trojan War and its aftermath, and their legacy for Western culture.

This volume is a distinctive critical introduction to Homer's Iliad, the earliest epic poem, and the earliest known work of literature in ancient Greece. Michael Silk deals with the poem's historical context, its composition and its extensive influence, and relates its literary power to the peculiar coherence and inter-relation of such aspects of the poem as its style, character-portrayal and ideology. This revised edition takes account of recent scholarship in the field and includes an updated guide to further reading. It is essential reading for students of literature and classics.

TOLSTOY CALLED THE ILIAD A miracle; Goethe said that it always thrust him into a state of astonishment. Homer’s story is thrilling, and his Greek is perhaps the most beautiful poetry ever sung or written. But until now, even the best English translations haven’t been able to re-create the energy and simplicity, the speed, grace, and pulsing rhythm of the original. In Stephen Mitchell’s Iliad, the epic story resounds again across 2,700 years, as if the lifeblood of its heroes Achilles and Patroclus, Hector and Priam flows in every word. And we are there with them, amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful. Mitchell’s Iliad is the first translation based on the work of the preeminent Homeric scholar Martin L. West, whose edition of the original Greek identifies many passages that were added after the Iliad was first written down, to the detriment of the music and the story. Omitting these hundreds of interpolated lines restores a dramatically sharper, leaner text. In addition, Mitchell’s illuminating introduction opens the epic still further to our understanding and appreciation. Now, thanks to Stephen Mitchell’s scholarship and the power of his language, the Iliad’s ancient story comes to moving, vivid new life.