At a time when many philosophers have concluded that Husserl's philosophy is exhausted, but when alternatives appear to be exhausted as well, Anthony J. Steinbock presents an innovative approach to Husserlian phenomenology. His systematic study of the problems and themes of a generative phenomenology, normality and abnormality, and sociohistorical concepts of homeworld and alienworld, and the steps he takes toward developing such a generative phenomenology, open new doors for a phenomenology of the social world, while casting new light on work done by Husserl himself and by many philosopher working more or less in a Husserlian vein. Both critique and an appropriation of a large and diverse body of work, Home and Beyond is a major contribution to contemporary Husserl scholarship.

Finalist for the IODE Violet Downey Book Award Samira is only nine years old when the Turkish army invades northwestern Persia in 1918, and she and her parents, brother and baby sister are driven from their tiny village. Taking only what they can carry, they flee into the mountains, but the journey is so difficult that only Samira and her older brother, Benyamin, survive. When Samira finally arrives in a refugee camp, it is her friendship with another orphan, Anna, that pulls her out of her sadness. And when the two girls are given a toddler named Elias to care for, they form a new kind of family. Over the years the children are shunted from one refugee camp to another, from Persia to Iraq and back again, and finally end up in an orphanage, where it seems that they will live out their childhood. Then a new orphanage director arrives -- Susan Shedd, a woman whose authority and energy Samira has never seen before. And Samira’s respect turns to amazement when Miss Shedd decides that she will take the three hundred children back to their home villages to make new lives for themselves. It will be a journey of three hundred miles, through the mountains, and it will be made on foot.

The last school bell has rung and it’s finally HOME TIME! Even though they’re twins, Lilly and David don’t agree on much… except that the last summer before high school is the perfect time for relaxing with friends. But their plans for sleepovers, fantasy games, and romance are thrown out the window when the whole gang falls into a river and wakes up in a village of fantastic creatures.

Jackie Robinson is one of the most revered public figures of the twentieth century. He is remembered for both his athletic prowess and his strong personal character. The world knows him as the man who crossed baseball’s color line, but there is much more to his legacy. At the conclusion of his baseball career, Robinson continued in his pursuit of social progress through his work as a writer. Beyond Home Plate, an anthology of Jackie Robinson’s columns in the New York Post and the New York Amsterdam News, offers fresh insight into the Hall of Famer’s life and work following his historic years on the baseball diamond. Robinson’s syndicated newspaper columns afforded him the opportunity to provide rich social commentary while simultaneously exploring his own life and experiences. He was free to write about any subject of his choosing, and he took full advantage of this license, speaking his mind about everything from playing Santa to confronting racism in the Red Sox nation, from loving his wife Rachel to despising Barry Goldwater, from complaining about Cassius Clay’s verbosity to teaching Little Leaguers how to lose well. Robinson wrote to prod and provoke, inflame and infuriate, and sway and persuade. With their pointed opinions, his columns reveal that the mature Robinson was a truly American prophet, a civil rights leader in his own right, furious with racial injustice and committed to securing first class citizenship for all. These fascinating columns also depict Robinson as an indebted son, a devoted husband, a tenderhearted father, and a hardworking community leader. Robinson believed that his life after his baseball career was far more important than all of his baseball exploits. Beyond Home Plate shows why he believed this so fervently.

Winner of the 2001 Ray and Pat Browne National Book Award for Outstanding Textbook, given by the Popular Culture Association From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined -- or ignored -- by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past "off limits" to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.

Born into a controlling, abusive cult and betrayed by those he trusted, Josh hungers for freedom from the Fundamental Faith in God. After his first escape attempt fails, Josh takes even more solace in a rustic cabin he and his oldest brother made, finding peace in isolation. After unspeakable tragedy strikes, Josh flounders for hope and anything that will soften the grief threatening to destroy him. Determined to escape the cult that offers only heartbreak and loneliness, he's stunned by an unexpected connection with one of the other kids in the cult orphanage. That doesn't stop him and he continues to prepare for a final escape. But when the other kids in the cult need him to protect them and be part of their family, is Josh betraying them by trying to get away?