More than half a century after Nazi Germany's genocidal assault on the Jewish people, the Holocaust grips our attention as never before, raising hotly-debated questions: How is the Holocaust best remembered? What are its lessons? Who gets to answer those questions? Who owns the Holocaust? Those issues provoke disagreements that can be cutthroat or constructive. Taking its point of departure from the controversy that swirled around John Roth's aborted appointment as director of the Center for Advanced Holocaust Studies, a senior post at the US Holocaust Memorial Museum in Washington, DC, Holocaust Politics shows how contemporary attitudes and priorities compete to determine that all-important difference.

Between 1945 and 1948, more than a quarter of a million Jews fled countries in Eastern Europe and the Balkans and began filling hastily erected displaced persons camps in Germany and Austria. As one of the victorious Allies, Britain had to help find a solution for the vast majority of these refugees who refused repatriation. Drawing on extensive research in British, American, and Israeli archives, Arieh Kochavi presents a comprehensive analysis of British policy toward Jewish displaced persons and reveals the crucial role the United States played in undermining that policy. Kochavi argues that political concerns--not human considerations--determined British policy regarding the refugees. Anxious to secure its interests in the Middle East, Britain feared its relations with Arab nations would suffer if it appeared to be too lax in thwarting Zionist efforts to bring Jewish Holocaust survivors to Palestine. In the United States, however, the American Jewish community was able to influence presidential policy by making its vote hinge on a solution to the displaced persons problem. Setting his analysis against the backdrop of the escalating Cold War, Kochavi reveals how, ironically, the Kremlin as well as the White House came to support the Zionists' goals, albeit for entirely different reasons.

The Politics of Genocide: The Holocaust in Hungary, Condensed Edition is an abbreviated version of the classic work first published in 1981 and revised and expanded in 1994. It includes a new historical overview, and retains and sharpens its focus on the persecution of the Jews. Through a meticulous use of Hungarian and many other sources, the book explains in a rational and empirical context the historical, political, communal, and socioeconomic factors that contributed to the unfolding of this tragedy at a time when the leaders of the world, including the national and Jewish leaders of Hungary, were already familiar with the secrets of Auschwitz. The Politics of Genocide is the most eloquent and comprehensive study ever produced of the Holocaust in Hungary. In this condensed edition, Randolph L. Braham includes the most important revisions of the 1994 second edition as well as new material published since then. Scholars of Holocaust, Slavic, and East-Central European studies will find this volume indispensable.

Harnessing the Holocaust presents the compelling story of how the Nazi genocide of the Jews became an almost daily source of controversy in French politics. Joan Wolf argues that from the Six-Day War through the trial of Maurice Papon in 1997-98, the Holocaust developed from a Jewish trauma into a metaphor for oppression and a symbol of victimization on a wide scale. Using scholarship from a range of disciplines, Harnessing the Holocaust argues that the roots of Holocaust politics reside in the unresolved dilemmas of Jewish emancipation and the tensions inherent in the revolutionary notion of universalism. Ultimately, the book suggests, the Holocaust became a screen for debates about what it means to be French.

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.

The ghost of the Holocaust is ever present in Israel, in the lives and nightmares of the survivors and in the absence of the victims. In this compelling and disturbing analysis, Idith Zertal, a leading member of the new generation of revisionist historians in Israel, considers the ways Israel has used the memory of the Holocaust to define and legitimize its existence and politics. Drawing on a wide range of sources, the author exposes the pivotal role of the Holocaust in Israel's public sphere, in its project of nation building, its politics of power and its perception of the conflict with the Palestinians. She argues that the centrality of the Holocaust has led to a culture of death and victimhood that permeates Israel's society and self-image. For the updated paperback edition of the book, Tony Judt, the world-renowned historian and political commentator, has contributed a foreword in which he writes of Zertal's courage, the originality of her work, and the 'unforgiving honesty with which she looks at the moral condition of her own country'.

More than sixty million people have been victims of genocide in the twentieth century alone, including recent casualties in Bosnia and Rwanda. Herbert Hirsch studies repetitions of large-scale human violence in order to ascertain why people in every histo