Captain America assembles the Avengers. Iron Man battles Thanos. Luke Skywalker duels Darth Vader. Aragorn charges Mordor. Batman confronts the Joker. Superman destroys Doomsday. Wonder Woman defeats Ares. We are captivated. Why? We are entranced by stories that take us to a world where heroes fight evil and sacrifice themselves for a greater good because we long for our world to be free from pain, suffering, and struggle. That’s the real hope and promise of Jesus—when He returns to set things right. In Hollywood Heroes, you’ll see how: Your favorite movie heroes are patterned after the Ultimate Hero—Jesus of Nazareth Big screen stories parallel the real-world fight between good and evil Movies and characters can impart inspiring biblical life lessons on justice, purpose, courage, strength, sacrifice, faith, and love Hollywood Heroes begins with the true story of a US Navy SEAL who faced evil and sacrificed himself to save his teammates. Authors Frank and Zach Turek then use Spider-Man’s origin story to address the question: “Why would a good God allow evil?” You’ll then read how seven movie franchises—Captain America, Iron Man, Harry Potter, Star Wars, The Lord of the Rings, Batman, and Wonder Woman—portray the battle against evil, providing a set of modern-day parables that reveal truths about God and His mission for us.

Seven fictional stories--Captain America, Iron Man, Harry Potter, Star Wars, The Lord of the Rings, Batman, and Wonder Woman--point us to the ultimate hero, Jesus Christ. Think about it. What if Batman knew your name and wanted to be friends with you? What if you were the one that Tony Stark died to save? What if it was you that Luke Skywalker would stop at nothing to redeem? Hollywood Heroes will awaken you to these questions and help you to see a God who stops at nothing to redeem you. And it will strengthen you to invite others into conversations of faith and life in Jesus. Fictional stories about heroes help us realize that there is evil to fight, souls to be won, and growth to be achieved. It helps us recognize--regardless of religious or cultural beliefs--that sacrificing your life for another's is a powerful and beautiful display of love. Fictional heroes help us to reconsider what is tangibly in front of us through the lens of story rather than simply as just another day in our ordinary lives. Appealing straight to the heart, the stories bypass artificial barriers that we would normally block them with because our worldview has been threatened. When we examine out-of-this-world qualities like idealism, genius, a willingness to sacrifice, discipline, loyalty, humility, courage, wisdom, focus, power, and love, we discover that Jesus practices them perfectly.

Appealing to the casual comic book reader as well as the hardcore graphic novel fan, this ultimate AtoZ compendium describes everyone’s favorite participants in the eternal battle between good and evil. With nearly 200 entries examining more than 1,000 heroes, icons and their place in popular culture, it is the first comprehensive profile of superheroes across all media, following their path from comic book stardom to radio, television, movies, and novels. The best-loved and most historically significant superheroes—mainstream and counterculture, famous and forgotten, best and worst—are presented with numerous full-color illustrations, including dozens of classic comic covers. Each significant era of the superhero is explored—from the Golden Age of the 1930s, 1940s, and 1950s through the Modern Age—providing a unique perspective of the role of the hero over the course of the 20th century and beyond. This latest edition has been revised to reflect updates on existing characters, coverage of new characters, and recent films and media trends in the last several years.

This book examines how American foreign policy and the commercial film industry's economic interests influenced the portrayal of international terrorism in Hollywood blockbuster films from the time of the Iran hostage crisis to the 9/11 terrorist attacks. Part I provides a historical overview of modern international terrorism and how it relates to the United States, its news media, and its film industry. Part II covers depictions of terrorism during the Cold War under President Reagan, including films like Commando and Iron Eagle. Part III covers the Hollywood terrorist after the Cold War, including European terrorists in the Die Hard franchise, Passenger 57, Patriot Games, Blown Away, The Jackal and Ronin; fundamentalist Islamic terrorists in True Lies and Executive Decision; the return of the communist threat in Air Force One; and 9/11 foreshadowing in The Siege.

The ‘action heroine’ has never been more popular than she is today, with the likes of The Hunger Games (2012), Mad Max: Fury Road (2015) and Wonder Woman (2017) granting her a newfound prominence in Hollywood filmmaking. When most knowledgeable action fans think of the action heroine historically, however, they tend to do so through the prism of her most iconic characters: Emma Peel in the 1960s; Lynda Carter’s Wonder Woman in the 1970s; Ripley and Sarah Connor in the 1980s; Xena Warrior Princess and Buffy the Vampire Slayer in the 1990s; and, of course, the likes of Hermione Granger, Katniss Everdeen, Imperator Furiosa and Princess Diana in modern times. Yet, the action heroine’s epic journey goes back much further than this. Indeed, it has its origins in the earliest days of cinema, amongst the serial-queens of the early silent-era, and the fleeting cowgirls, swordswomen, and jungle-girls of Hollywood’s ‘Golden Age’ in the 1930s, 1940s and 1950s. This book is about that epic journey. It traces the action heroine’s century-long struggle for legitimacy and respect, beginning with the silent-era serial, The Perils of Pauline (1914), and ending with the big-budget action-blockbusters of today. This book asks why the action heroine’s path towards acceptability on mainstream film and television has proven such a long and tortuous one, why she is so hated by a vocal minority of male action fans, and how she has overcome the conservativism of the Hollywood system to at last forge a reputation for herself as a genuinely viable protagonist on both the big and small screens?

While a few select foreign filmmakers have been widely recognized for their contributions to Hollywood, scores more have gone largely unrecognized. Arranged alphabetically, this volume provides detailed information on the filmmakers and their films.

This book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.