Hockey Night in Canada has reached a great age (and for television, practically an immortal one) because it made itself into something that Canada couldn't live without. It is this surge of emotion that connected us all each week, and which connects us through the years to now. Hockey Night in Canada didn't just aim a camera at a game and observe what happened-it actively gave the country a prism through which it could see itself and its evolving diversity. We look where the eye of Hockey Night in Canada looks, and it looks at us. We remember what it remembers. We feel what it feels. That is the dynamic that has made the show much more than a long-lived TV success; it is a cultural juggernaut. Ask fans where they saw their first hockey game, and chances are it was on Hockey Night in Canada. Ask the players-male or female-what first got them into the rink, and the answer will be the same: they wanted to be like the players on Hockey Night in Canada.

No other person has done more to celebrate and encourage the short story in Canada than John Metcalf. For more than five decades he has worked tirelessly as editor, anthologist, writer, critic, and teacher to help shape our understanding of the form and what it can do. The long-time editor of the yearly Best Canadian Stories anthology, as well as a fiction editor at some of the pre-eminent literary presses in the country for more than forty years, he has worked to support and champion several generations of our best writers. Literature in Canada would be far less without his efforts. Sifting through a lifetime of reading, writing, and thinking about the short story in this country, and where it fits within the larger currents of world literature, Metcalf’s magisterial The Canadian Short Story offers the most authoritative book on the subject to date. Most importantly, it includes an expanded and reconsidered Century List, Metcalf’s critical guide to the best Canadian short story collections of the last 100 years. But more than a critical book, The Canadian Short Story is a love-letter to the form, a passionate defense of the best of our literature, and a championing of those books and writers most often over-looked. It is a guide not only to what to read, but also one, its author’s most fervent desire, which aims to make better readers of us all.

In this, the companion to the landmark volume The Literary History of Alberta, Volume One: From Writing-on-Stone to World War Two, George Melnyk examines Alberta literature in the second half of the twentieth century. At last, Melnyk argues, Alberta writers have found their voice—and their accomplishments have been remarkable. The contradictory landscape, the stereotypes of the Indian, the Mountie, and the Cowboy, and the language of the Other, speaking from the margins—these elements all left their impressions on the consciousness of early Alberta. But writers in the last few decades have turned this inheritance to their advantage, to create compelling stories about this place and its people. Today, Melnyk discovers, Alberta writers can appreciate not only this achievement, but also its essential source: the symbolic communication of Writing-on-Stone. The Literary History of Alberta, Volume Two extends the study of Alberta's cultural history to the present day. It is a vital text for anyone interested in Alberta's vibrant literary culture.

The Hockey Sweater, the title story in this 20-story collection, has become an enduring classic: a Quebec boy and Habs fan is shipped a Toronto Maple Leafs sweater by mistake. It encapsulates everything you need to understand French and English Canada, told with humour and love. This edition features a new introduction.