When Heinz Lüning posed as a Jewish refugee to spy for Hitler’s Abwehr espionage agency, he thought he had discovered the perfect solution to his most pressing problem: how to avoid being drafted into Hitler’s army. Lüning was unsympathetic to Fascist ideology, but the Nazis’ tight control over exit visas gave him no chance to escape Germany. He could enter Hitler’s army either as a soldier . . . or a spy. In 1941, he entered the Abwehr academy for spy training and was given the code name “Lumann.” Soon after, Lüning began the service in Cuba that led to his ultimate fate of being the only German spy executed in Latin America during World War II. Lüning was not the only spy operating in Cuba at the time. Various Allied spies labored in Havana; the FBI controlled eighteen Special Intelligence Service operatives, and the British counterintelligence section subchief Graham Greene supervised Secret Intelligence Service agents; and Ernest Hemingway’s private agents supplied inflated and inaccurate information about submarines and spies to the U.S. ambassador, Spruille Braden. Lüning stumbled into this milieu of heightened suspicion and intrigue. Poorly trained and awkward at his work, he gathered little information worth reporting, was unable to build a working radio and improperly mixed the formulas for his secret inks. Lüning eventually was discovered by British postal censors and unwittingly provided the inspiration for Graham Greene’s Our Man in Havana. In chronicling Lüning’s unlikely trajectory from a troubled life in Germany to a Caribbean firing squad, Thomas D. Schoonover makes brilliant use of untapped documentary sources to reveal the workings of the famed Abwehr and the technical and social aspects of Lüning’s spycraft. Using archival sources from three continents, Schoonover offers a narrative rich in atmospheric details to reveal the political upheavals of the time, not only tracking Lüning’s activities but also explaining the broader trends in the region and in local counterespionage. Schoonover argues that ambitious Cuban and U.S. officials turned Lüning’s capture into a grand victory. For at least five months after Lüning’s arrest, U.S. and Cuban leaders—J. Edgar Hoover, Fulgencio Batista, Nelson Rockefeller, General Manuel Benítez, Ambassador Spruille Braden, and others—treated Lüning as a dangerous, key figure for a Nazi espionage network in the Gulf-Caribbean. They reworked his image from low-level bumbler to master spy, using his capture for their own political gain. In the sixty years since Lüning’s execution, very little has been written about Nazi espionage in Latin America, partly due to the reticence of the U.S. government. Revealing these new historical sources for the first time, Schoonover tells a gripping story of Lüning’s life and capture, suggesting that Lüning was everyone’s man in Havana but his own.

When Heinz Lüning posed as a Jewish refugee to spy for Hitler's Abwehr espionage agency, he thought he had discovered the perfect solution to his most pressing problem: how to avoid being drafted into Hitler's army. Lüning was unsympathetic to Fascist ideology, but the Nazis' tight control over exit visas gave him no chance to escape Germany. He could enter Hitler's army either as a soldier... or a spy. In 1941, he entered the Abwehr academy for spy training and was given the code name "Lumann." Soon after, Lüning began the service in Cuba that led to his ultimate fate of being the only German spy executed in Latin America during World War II. Lüning was not the only spy operating in Cuba at the time. Various Allied spies labored in Havana; the FBI controlled eighteen Special Intelligence Service operatives, and the British counterintelligence section subchief Graham Greene supervised Secret Intelligence Service agents; and Ernest Hemingway's private agents supplied inflated and inaccurate information about submarines and spies to the U.S. ambassador, Spruille Braden. Lüning stumbled into this milieu of heightened suspicion and intrigue. Poorly trained and awkward at his work, he gathered little information worth reporting, was unable to build a working radio and improperly mixed the formulas for his secret inks. Lüning eventually was discovered by British postal censors and unwittingly provided the inspiration for Graham Greene's Our Man in Havana. In chronicling Lüning's unlikely trajectory from a troubled life in Germany to a Caribbean firing squad, Thomas D. Schoonover makes brilliant use of untapped documentary sources to reveal the workings of the famed Abwehr and the technical and social aspects of Lüning's spycraft. Using archival sources from three continents, Schoonover offers a narrative rich in atmospheric details to reveal the political upheavals of the time, not only tracking Lüning's activities but also explaining the broader trends in the region and in local counterespionage. Schoonover argues that ambitious Cuban and U.S. officials turned Lüning's capture into a grand victory. For at least five months after Lüning's arrest, U.S. and Cuban leaders -- J. Edgar Hoover, Fulgencio Batista, Nelson Rockefeller, General Manuel Benítez, Ambassador Spruille Braden, and others -- treated Lüning as a dangerous, key figure for a Nazi espionage network in the Gulf-Caribbean. They reworked his image from low-level bumbler to master spy, using his capture for their own political gain. In the sixty years since Lüning's execution, very little has been written about Nazi espionage in Latin America, partly due to the reticence of the U.S. government. Revealing these new historical sources for the first time, Schoonover tells a gripping story of Lüning's life and capture, suggesting that Lüning was everyone's man in Havana but his own.

Life in pre-revolutionary Cuba is not easy and James Wormold, a failing vacuum cleaner salesman, is struggling to fund the increasingly lavish lifestyle of his manipulative sixteen year-old daughter, Milly. So when an enigmatic Englishman offers him an extra income in return for a little spying, he is sorely tempted. But when the fake reports he's been sending to London start to come true, Havana suddenly becomes a very dangerous place indeed. Both a brilliant Cold War thriller and hilarious work of satire, Our Man in Havana is Graham Greene's classic tale of an accidental spy.

Published first in Brazil as Suástica sobre o Brasil, this examination of the rise and fall of German espionage in that country spent months on the best-seller list there and generated a national furor as former spies and collaborationists denounced it as a CIA ploy. Here, for the first time, are the colorful stories of such German agents as "Alfredo," probably the most important enemy operative in the Americas; "King," who was decorated for his daring exploits but who carelessly mentioned the real names of his collaborators in secret radio messages; the bumbling Janos Salamon; and the debonair Hans Christian von Kotze, who ultimately betrayed the Abwehr (German Military Intelligence). Eminently readable, Hitler's Secret War in South America resembles, but is not, fiction. It describes in detail the Allies' real battle against the Abwehr, a struggle highlighted by the interception and deciphering of German radio transmissions.

The award-winning, #1 New York Times bestselling novel from Alan Gratz tells the timely--and timeless--story of three different kids seeking refuge. A New York Times bestseller! JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world... ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America... MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he and his family begin a long trek toward Europe... All three kids go on harrowing journeys in search of refuge. All will face unimaginable dangers -- from drownings to bombings to betrayals. But there is always the hope of tomorrow. And although Josef, Isabel, and Mahmoud are separated by continents and decades, shocking connections will tie their stories together in the end. As powerful and poignant as it is action-packed and page-turning, this highly acclaimed novel has been on the New York Times bestseller list for more than four years and continues to change readers' lives with its meaningful takes on survival, courage, and the quest for home.

Did Hitler shoot himself in the Führerbunker or did he slip past the Soviets and escape to South America? Countless documentaries, newspaper articles and internet pages written by conspiracy theorists have led the ongoing debate surrounding Hitler's last days. Historians have not yet managed to make a serious response. Until now. This book is the first attempt by an academic to return to the evidence of Hitler's suicide in order to scrutinise the most recent arguments of conspiracy theorists using scientific methods. Through analysis of recently declassified MI5 files, previously unpublished sketches of Hitler's bunker, personal accounts of intelligence officers along with stories of shoot-outs, plunder and secret agents, this scrupulously researched book takes on the doubters to tell the full story of how Hitler died.

When U.S. immigration authorities deported Graham Greene from Puerto Rico in 1954, the British author made an unplanned visit to Havana and the former MI6 officer had stumbled upon the ideal setting for a comic espionage story. Three years later, he returned in the midst of Castro’s guerrilla insurgency against a U.S.-backed dictator to begin writing his iconic novel Our Man in Havana. Twelve weeks after its publication, in January 1959, the Cuban Revolution triumphed, soon transforming a capitalist playground into a communist stronghold.Combining biography, history, politics, and a measure of psychoanalysis, Our Man Down in Havana investigates the real story behind Greene’s fiction. It includes his many visits to a pleasure island that became a revolutionary island, turning his chance involvement into a political commitment. His Cuban novel describes an amateur agent who dupes his intelligence chiefs with invented reports about “concrete platforms and unidentifiable pieces of giant machinery.” With eerie prescience, Greene’s satirical tale had foretold the Cold War’s most perilous episode, the 1962 Cuban Missile Crisis.