A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

-Demonstrates how key architects across Britain and Ireland are blending contemporary design practices with traditional vernacular buildings -Features stunning full-color photography throughout, informative descriptions and detailed floor plans -Will appeal to all architects, landscape designers, urban planners, developer-clients, and educators -Features an array of award-winning and highly commended projects including Bureau de Change's Folds House, winner of a 2016 Times Best Homes Award; Coppin Dockeray's Antsy Plum, winner of the 2016 South West RIBA Award; Tsuruta Architects' House of Trace, winner of RIBA's 2016 Stephen Lawrence Prize; Cassion Castle Architects' Oak Lane House, winner of the Daily Telegraph's Home Buildings Awards Best Residential Design 2016; and Broadstone's Tireighter Cairn, winner of the Single House Building category at the 2017 Building and Architect of the Year Awards House design in Britain and Ireland is guided by climate, landscape and local resources just as much as the centuries-old traditions that have influenced architectural shape and form. Today's best-known and emerging architects interpret their briefs with imaginative flair: they are transforming houses for the next generation of families by blending their renewed vigor for a local aesthetic with new materials and trends. Many of the new houses featured in British & Irish Modern reflect the architect's focus on redefining local expectations for form by beautifully juxtaposing the traditional with contemporary structures, thus forging a new vernacular. Architects across this region are wholeheartedly seeking opportunities to re-use existing structures in myriad ways, resulting in surprising and remarkably unique renditions of old houses and buildings made new. Shown in stunning, full-color photographic detail are hundreds of pages of new and renovated houses, cottages and even converted barns nestled in misty rural valleys, including new and retrofitted modern inner-city terraces and townhouses that make the best use of available space. Houses are selected for levels of comfort, use of materials, and dramatic expression of traditional and contemporary architecture, as well as houses that capitalize on longer and warmer summers imposed by changing weather patterns in this corner of the globe. Houses are designed with indoor spaces and intimate courtyards for play and recreation that draw in light and shield from the extreme weather elements yet maintain an eye on sustainability and affordability. British & Irish Modern reveals a rich array of works that showcase how architecture in Britain and Ireland today has much to teach the world about creative, high-caliber design, innovative application of materials, and cautious but clever reliance on resources.

A book of photographs of historic houses in the Downtown Neighborhoods Association

A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

"This deluxe volume offers an exclusive look into the classic homes and gardens in the legendary neighborhoods in and around Los Angeles, such as Hancock Park, Windsor Square, Beverly Hills, Pasadena, and Malibu. In a region famed for its lavish homes and celebrity residents, one finds here a panorama of richly detailed architectural styles, from Craftsman, Tudor, and Georgian, to Spanish Colonial and Tuscan Revival examples." "Shown here in rich detail are the estate of the great Hollywood producer and director Cecil B. DeMille in Laughlin Park, the former Danny Kay House in Beverly Hills, the revered Millard House by Frank Lloyd Wright in Pasadena, and wonderful Arts & Crafts masterwork by Green and Green---the Gamble House---also in Pasadena. The works of those and other renowned architects, such as Wallace Neff, Paul Williams, George Washington Smith, and Roland Coate, illustrate the wide range of period-revival styles popular in Southern California during its "Golden Age of Expansion" from 1899 to 1938. Lush, all-new color photographs capture the grandeur of these homes and their exquisite gardens in the present day."--BOOK JACKET.

This is the story of one man's adventures in acquiring and bringing back to life some of America's most enticing and historically significant dwellings. With the eye of a connoisseur, the business acumen derived from a legendary career in international finance, and a Jeffersonian grasp of classical architecture, Richard Hampton Jenrette reveals his charming, often risky, ventures in the world of old houses.