NATIONAL BESTSELLER • A high-stakes hide-and-seek competition turns deadly in this “marvelously creepy thrill ride of a book that keeps twisting until the very end” (Karen M. McManus, author of One of Us Is Lying) “The suspenseful plot combines elements of Thomas Tryon’s classic Harvest Home, Netflix’s Squid Game, and the social commentary of Jordan Peele’s film oeuvre and mixes these with a revelatory pacing reminiscent of Spielberg’s Jaws.”—Booklist The challenge: Spend a week hiding in an abandoned amusement park and don’t get caught. The prize: enough money to change everything. Even though everyone is desperate to win—to seize a dream future or escape a haunting past—Mack is sure she can beat her competitors. All she has to do is hide, and she’s an expert at that. It’s the reason she’s alive and her family isn’t. But as the people around her begin disappearing one by one, Mack realizes that this competition is even more sinister than she imagined, and that together might be the only way to survive. Fourteen competitors. Seven days. Everywhere to hide but nowhere to run. Come out, come out, wherever you are.

You have good reason to be afraid. . . . It was a case that haunts Bobby Dodge to this day—the case that nearly killed him and changed his life forever. Now, in an underground chamber on the grounds of an abandoned Massachusetts mental hospital, the gruesome discovery of six mummified corpses resurrects his worst nightmare: the return of a killer he thought dead and buried. There’s no place to run. . . . Bobby’s only lead is wrapped around a dead woman’s neck. Annabelle Granger has been in hiding for as long as she can remember. Her childhood was a blur of new cities and assumed identities. But what—or who—her family was running from, she never knew. Now a body is unearthed from a grave, wearing a necklace bearing Annabelle’s name, and the danger is too close to escape. This time, she’s not going to run. You know he will find you. . . . The new threat could be the dead psychopath’s copycat, his protégé—or something far more terrifying. Dodge knows the only way to find him is to solve the mystery of Annabelle Granger, and to do that he must team up with his former lover, partner, and friend D. D. Warren from the Boston P.D. But the trail leads back to a woman from Bobby’s past who may be every bit as dangerous as the new killer—a beautiful survivor-turned-avenger with an eerie link to Annabelle. From its tense opening pages to its shocking climax, Hide is a thriller that delves into our deepest, darkest fears. Where there is no one to trust. Where there is no place left to hide. BONUS: This edition includes a new afterword: Lights, Camera, Hide the movie!

From Natalie D. Richards, the New York Times bestselling author of mystery books for teens, comes a pulse-pounding thriller about two teens who uncover something sinister, perfect for fans of Natasha Preston and Karen McManus. Mallory didn't want to leave home, but it wasn't safe to stay. So she sleeps at her best friend's house and spends the rest of her time at the library, doing her online schoolwork and figuring out what comes next. Because she's not going live in fear like her mother. Spencer volunteers at the library. Sure, it's community service for a stunt he pulled, but he likes the work. And it's the perfect escape from his parents' pressure to excel at school, at ice hockey, at everything. Especially after he meets Mallory. Then there is a tragic death at the library. Suddenly, what was once a sanctuary turns sinister. Ghostly footprints, strange scratching sounds, scrawled messages on bulletin boards and walls... Mallory and Spencer don't know who or what is responsible, but one thing is for sure: They are not as alone—or as safe—as they thought. Perfect for readers looking for: Detective stories for teens Creepy books for teens Edge-of-your-seat chills and thrills Praise for Natalie D. Richards: "As addictive as it is unpredictable. Natalie will keep you second guessing until the nail-biting end."—NATASHA PRESTON, New York Times bestselling author of The Cabin on My Secret to Tell "Brimming with suspense and intrigue."—MEGAN MIRANDA, New York Times bestselling author of All the Missing Girls on My Secret to Tell Also by Natalie D. Richards: Five Total Strangers Six Months Later Gone Too Far My Secret to Tell One Was Lost We All Fall Down

“Gajda’s chronicle reveals an enduring tension between principles of free speech and respect for individuals’ private lives. …just the sort of road map we could use right now.”—The Atlantic “Wry and fascinating…Gajda is a nimble storyteller [and] an insightful guide to a rich and textured history that gets easily caricatured, especially when a culture war is raging.”—The New York Times An urgent book for today's privacy wars, and essential reading on how the courts have--for centuries--often protected privileged men's rights at the cost of everyone else's. Should everyone have privacy in their personal lives? Can privacy exist in a public place? Is there a right to be left alone even in the United States? You may be startled to realize that the original framers were sensitive to the importance of privacy interests relating to sexuality and intimate life, but mostly just for powerful and privileged (and usually white) men. The battle between an individual’s right to privacy and the public’s right to know has been fought for centuries. The founders demanded privacy for all the wrong press-quashing reasons. Supreme Court jus­tice Louis Brandeis famously promoted First Amend­ment freedoms but argued strongly for privacy too; and presidents from Thomas Jefferson through Don­ald Trump confidently hid behind privacy despite intense public interest in their lives. Today privacy seems simultaneously under siege and surging. And that’s doubly dangerous, as legal expert Amy Gajda argues. Too little privacy leaves ordinary people vulnerable to those who deal in and publish soul-crushing secrets. Too much means the famous and infamous can cloak themselves in secrecy and dodge accountability. Seek and Hide carries us from the very start, when privacy concepts first entered American law and society, to now, when the law al­lows a Silicon Valley titan to destroy a media site like Gawker out of spite. Muckraker Upton Sinclair, like Nellie Bly before him, pushed the envelope of privacy and propriety and then became a privacy advocate when journalists used the same techniques against him. By the early 2000s we were on our way to today’s full-blown crisis in the digital age, worrying that smartphones, webcams, basement publishers, and the forever internet had erased the right to privacy completely.

An easy-to-read book with fun characters, visual humor, and an important theme--the joy of helping others Two friends, Mike, an elephant, and Pat, a fish in a fishbowl, are in a rowboat. While Mike naps, Pat jumps into the ocean, where he meets other fish. When a shark appears, Pat and his new fish friends are in trouble . . . until two chubby gray legs appear near the surface. Mike lands on the shark and frightens the toothy fish away. Mike has a great time underwater until he realizes he is out of air. Now the fish help Mike.

As humans, we are prone to insecurities, fear of failure, and regrets, which we try to hide and cover up, resulting in isolation from both those around us and God. Through fifty devotionals, counselor Edward T. Welch shows us how God speaks with gentleness, depth, and hope that will lead us out of hiding and to live more openly, authentically, ...

"If you ask men if they spend any time hiding, they usually look at you as if you're nuts. 'What, me hide?' But if you ask women whether men hide, they immediately know what you mean."—from Where Men Hide Where Men Hide is a spirited tour of the dark and often dirty places men go to find comfort, camaraderie, relaxation, and escape. Ken Ross's striking photographs and James Twitchell's lively analysis trace the evolution of these virtual caves, and question why they are rapidly disappearing. Ross documents both traditional and contemporary male haunts, such as bars, barbershops, lodges, pool halls, strip clubs, garages, deer camps, megachurches, the basement Barcalounger, and Twitchell examines their provenance, purpose, and appeal. He finds that for centuries men have met with each other in underground lairs and clubhouses to conduct business or, in the case of strip clubs and the modern rec room, to bond and indulge in shady entertainments. In these secret dens, certain rules are abandoned while others are obeyed. However, Twitchell sees this less as exclusionary behavior and more as the result of social anxiety: when women want to get together, they just do it; when men get together, it's a production. Drawing on literary, historical, and pop cultural sources, Twitchell connects the places men hide with figures like Hemingway and Huck Finn, Frederick Jackson Turner's theory of the American frontier, and the mythological interpretations of Joseph Campbell and Robert Bly. Instead of blaming the disappearance of the man-cave solely on feminism, simple fair play, or the demands of Title IX, Twitchell believes this evaporation is due as well to the rise of solitary pursuits such as driving, watching television, and playing videogames. By blending together anecdote, research, and keen observation, Ross and Twitchell bring this little-discussed and controversial phenomenon to light.