In the vein of Francis Alÿs's 'Fabiola' and Andy Warhol's 'Time Capsules', Linda Fregni Nagler has collected seemingly nondescript images and accumulated a meaningful archive, thereby giving them a renewed purpose and intensity.

Shyama, a forty-eight-year-old London divorcée, already has an unruly teenage daughter, but that doesn't stop her and her younger lover, Toby, from wanting a child together. Their relationship may look like a cliché, but despite the news from her doctor that she no longer has any viable eggs, Shyama's not ready to give up on their dream of having a baby. So they decide to find an Indian surrogate to carry their child, which is how they meet Mala, a young woman trapped in an oppressive marriage in a small Indian town from which she's desperate to escape. But as the pregnancy progresses, they discover that their simple arrangement may be far more complicated than it seems. In The House of Hidden Mothers, Meera Syal, an acclaimed British actress and accomplished novelist, takes on the timely but underexplored issue of India's booming surrogacy industry. Western couples pay a young woman to have their child and then fly home with a baby, an easy narrative that ignores the complex emotions involved in carrying a child. Syal turns this phenomenon into a compelling, thoughtful novel already hailed in the UK as "rumbustious, confrontational and ultimately heartbreaking . . . Turn[s] the standard British-Asian displacement narrative on its head" (The Guardian). Compulsively readable and with a winning voice, The House of Hidden Mothers deftly explores subjects of age, class, and the divide between East and West.

Hidden Treasures is the true story of a young woman whose brief visit to Nanning, Guangxi, China in 1992 sparked the beginning of nearly two decades of work with abandoned babies in China. At age 29, Kit Ying Chan was sent to the Nanning state orphanage to conduct a needs assessment in response to alarming reports about the poor conditions in the local state orphanages as they struggled to cope with the widespread infant abandonment crisis that resulted from the country's one-child policy. What Kit Ying witnessed in that first visit was something she couldn't unseen or turn away from, calling her to leave her life in Hong Kong and move into the Nanning state orphanage.This book follows her remarkable journey from the first baby she picked up and nurtured back to health, to facilitating the first intercountry adoptions in Guangxi, to founding and leading Mother's Love, a home for abandoned babies, to modeling best practices and training child care workers in state orphanages across China, to the final closure of Mother's Love in 2011. Drawing from Kit Ying's own personal story, interviews with those involved with Mother's Love, and research on the infant abandonment crisis of the 1990s, it documents the deep and palpable scars left by this massive disaster on everyday Chinese citizens and the stories of transformation of the individuals who responded to the need. It is also a personal letter from Kit Ying to the 1,500+ young people who were adopted from Mother's Love and an accounting of this critical part of their history and identity.Hidden Treasures is the story of what happens when we choose to open our hearts to the call for help from one human to another.Kit Ying Chan is the Director of Services at Mother's Choice, overseeing the organization's services for children, youth, and families. After graduating from the University of Guelph with a Bachelor of Arts in Psychology and Sociology, Kit Ying was hired as the first social worker at Mother's Choice in 1988. In 1992, she began her work with China's state orphanages, in response to the widespread baby abandonment during that time. In 1995, she founded "Guangxi-Hong Kong Mother's Love Orphanage", the first joint venture between Hong Kong and China, where she pioneered a professional model for residential child care services, introducing foster care and specialized care for children with special needs. Kit Ying returned to Hong Kong in 2011 and continues to pioneer in this field as she leads the team to provide life transforming services for clients of Mother's Choice.

"Tubbs' connection to these women is palpable on the page — as both a mother and a scholar of the impact Black motherhood has had on America. Through Tubbs' writing, Berdis, Alberta, and Louise's stories sing. Theirs is a history forgotten that begs to be told, and Tubbs tells it brilliantly." — Ibram X. Kendi, #1 New York Times bestselling author of How to Be an Antiracist and National Book Award winner Stamped from the Beginning Much has been written about Berdis Baldwin's son James, about Alberta King's son Martin Luther, and Louise Little's son Malcolm. But virtually nothing has been said about the extraordinary women who raised them. In her groundbreaking and essential debut The Three Mothers, scholar Anna Malaika Tubbs celebrates Black motherhood by telling the story of the three women who raised and shaped some of America's most pivotal heroes. A New York Times Bestsellers Editors' Choice An Amazon Editor's Pick for February Amazon's Best Biographies and Memoirs of 2021 One of theSkimm's "16 Essential Books to Read This Black History Month" One of Fortune Magazine's "21 Books to Look Forward to in 2021!" One of Badass Women's Bookclub picks for "Badass Books We Can’t Wait to Read in 2021!" One of Working Mother Magazine's "21 Best Books of 2021 for Working Moms" One of Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2021" One of Bustle's "11 Nonfiction Books To Read For Black History Month — All Written By Women" One of SheReads.com's "Most anticipated nonfiction books of 2021" Berdis Baldwin, Alberta King, and Louise Little were all born at the beginning of the 20th century and forced to contend with the prejudices of Jim Crow as Black women. These three extraordinary women passed their knowledge to their children with the hope of helping them to survive in a society that would deny their humanity from the very beginning—from Louise teaching her children about their activist roots, to Berdis encouraging James to express himself through writing, to Alberta basing all of her lessons in faith and social justice. These women used their strength and motherhood to push their children toward greatness, all with a conviction that every human being deserves dignity and respect despite the rampant discrimination they faced. These three mothers taught resistance and a fundamental belief in the worth of Black people to their sons, even when these beliefs flew in the face of America’s racist practices and led to ramifications for all three families’ safety. The fight for equal justice and dignity came above all else for the three mothers. These women, their similarities and differences, as individuals and as mothers, represent a piece of history left untold and a celebration of Black motherhood long overdue.

"At first glance, few would guess that Luna and Cullan Bodman are siblings. Cullan, efficient and serious, is rarely out of a business suit. Luna reads palms and tarot cards, and loves flowing skirts and dangling jewelry that matches her unconventional spirit. Still, her artistic eye is an asset to the family's furniture restoration business. When Cullan stumbles across something unexpected in a piece he just acquired, and a client of Luna's reveals more than they should in a reading, the two put aside their differences to right a wrong. At stake is the future of a billion-dollar corporation, and as Luna and Cullan quickly discover, there are people who will stop at nothing to get what they believe they're owed"--Provided by publisher.

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.