A major contribution to ecumenical reflection on the doctrine of God. The past century has seen renewed interest in the doctrine of God. While theological traditions disagree, their shared commitment to Nicene orthodoxy provides a common language for thinking and speaking about God. This dialogue has deepened our understanding of this shared way of thinking about God, but little has been done across ecumenical lines to explore God's hiddenness in revelation. In Hidden and Revealed, Dmytro Bintsarovskyi explores the hiddenness and revelation of God in two separate theological streams—Reformed and Orthodox. Bintsarovskyi shows that an understanding of both traditions reflects a deep structure of shared language, history, and commitments, while nevertheless reflecting real differences. With Herman Bavinck and John Meyendorff as his guides, Bintsarovskyi advances ecumenical dialogue on a doctrine central to our knowledge of God.

Eyewitness accounts of the tornadoes of May 6, 1965, which devastated areas of Lake Minnetonka, Fridley, Blaine, Spring Lake Park and Mounds View Minnesota. Continuing where the last book ended, this collection has new, revealing data that shows how historic and strange these storms were. Taylor and the witnesses found the presence of God--not in the tornadoes, or destruction, or pain and death--but in His protection and love, the kindness of neighbors, and the miracles of that night.

This work focuses on a reality central to each human life and basic to every branch of theology; namely, the immanent transcendence of God. This study begins by exploring that theme of mystery hidden yet revealed from the perspective of the interrelationship of transcendence, self-actualization and creative expression. The book goes on to describe the interplay of those three elements in the lives and the works of,Thomas Merton, monk and writer, and Georgia O'Keeffe, artist. People from a wide variety of backgrounds and traditions will find this study a stimulating source of insight for their spiritual quest.

Exploring the biblical conception of mystery as an initial, partially hidden revelation that is subsequently more fully revealed, this book sheds light not only on the richness of the concept itself, but also on the broader relationship between the Old and New Testaments. As such, it is a model for attentive and faithful biblical theology.

"A celebration of the hidden beauty & variety of microscopic imagery."--Back cover.

A unique look at Christian biblical interpretation and theology from the perspective of Native American tradition. This book focuses on four specific experiences of Jesus as portrayed in the synoptic gospels. It examines each story as a “vision quest,” a universal spiritual phenomenon, but one of particular importance within North American indigenous communities. Jesus’ experience in the wilderness is the first quest. It speaks to a foundational Native American value: the need to enter into the “we” rather than the “I.” The Transfiguration is the second quest, describing the Native theology of transcendent spirituality that impacts reality and shapes mission. Gethsemane is the third quest. It embodies the Native tradition of the holy men or women, who find their freedom through discipline and concerns for justice, compassion, and human dignity. Golgotha is the final quest. It represents the Native sacrament of sacrifice (e.g., the Sun Dance). The chapter on Golgotha is a discussion of kinship, balance, and harmony: all primary to Native tradition and integral to Christian thought.

A stunning art book, but far more. In addition to glittering reproductions, details and working drawings of the ten mammoth pieces in this award-winning series about Esther of the Bible, the book features the artist's own story, illuminating her journey from war-torn Romania to Israel to Canada, what drew her to Esther and mosaics as a medium, and how she employed ancient techniques with a contemporary sensibility. An art historian provides a chapter comparing Broca's interpretation of Esther to that of such past artists as Rembrandt and Artemisia Gentileschi. The book finishes with a provocative, lyrical prose-poem written in the imagined voice of Esther by a prominent rabbi and scholar. An appendix provides the full text of Esther in beautiful calligraphed Hebrew with an accompanying English translation.