Henry James’s travel writings are at once literary masterpieces, unsurpassed guidebooks and penetrating reflections on the international themes familiar from his fiction. This volume, the second of two, begins with the classic A Little Tour in France (1900), illustrated with Joseph Pennell’s exquisite drawings from the original edition. James begins his tour of the French countryside one rainy morning in mid-September of 1882, when he sets off for the city of Tours as a means of exploring the proposition that “though France might be Paris, Paris was by no means France.” From Tours, Balzac’s birthplace, James travels to the great chateaux of the Loire Valley, visiting Chambord, Amboise, Chenonceaux, and Blois, where, as you cross the threshold, “you step straight into the sunshine and storm of the French Renaissance.” Dense with literary associations and historical echoes, James’s prose brings castles and cathedrals and old walled towns to life. In his glancingly precise visual evocations of terrain and cityscape, he realizes his ambition “to sketch without a palette or brushes.” Henry James loved Italy, “a beautiful disheveled nymph” to England’s “good married matron.” The incisive and witty essays in Italian Hours (1909) describe memorably happy sojourns in Venice, Rome, and Florence, and excursions to Siena, Assisi, Perugia, Capri, Ravenna, and other Italian cities. “Nowhere do art and life seem so interfused” as in Venice, wrote James in celebration of the splendor of Venetian light and color, air, and history. He records his radiant impressions of Roman churches and aqueducts, museums and fountains, and rambles through the gardens of the Villa Borghese in spring, when Rome seems lighted “with an irresistible smile.” All these essays are filled with James’s intense pleasure in Italian places and people. This volume concludes with sixteen essays on such varied places as Switzerland, Holland, Rheims, and the Pyrénées, including a memorable account of the American volunteer ambulance corps in Europe during World War One. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Henry James’s travel writings are at once literary masterpieces, unsurpassed guidebooks and penetrating reflections on the international themes familiar from his fiction. This volume, the second of two, begins with the classic A Little Tour in France (1900), illustrated with Joseph Pennell’s exquisite drawings from the original edition. James begins his tour of the French countryside one rainy morning in mid-September of 1882, when he sets off for the city of Tours as a means of exploring the proposition that “though France might be Paris, Paris was by no means France.” From Tours, Balzac’s birthplace, James travels to the great chateaux of the Loire Valley, visiting Chambord, Amboise, Chenonceaux, and Blois, where, as you cross the threshold, “you step straight into the sunshine and storm of the French Renaissance.” Dense with literary associations and historical echoes, James’s prose brings castles and cathedrals and old walled towns to life. In his glancingly precise visual evocations of terrain and cityscape, he realizes his ambition “to sketch without a palette or brushes.” Henry James loved Italy, “a beautiful disheveled nymph” to England’s “good married matron.” The incisive and witty essays in Italian Hours (1909) describe memorably happy sojourns in Venice, Rome, and Florence, and excursions to Siena, Assisi, Perugia, Capri, Ravenna, and other Italian cities. “Nowhere do art and life seem so interfused” as in Venice, wrote James in celebration of the splendor of Venetian light and color, air, and history. He records his radiant impressions of Roman churches and aqueducts, museums and fountains, and rambles through the gardens of the Villa Borghese in spring, when Rome seems lighted “with an irresistible smile.” All these essays are filled with James’s intense pleasure in Italian places and people. This volume concludes with sixteen essays on such varied places as Switzerland, Holland, Rheims, and the Pyrénées, including a memorable account of the American volunteer ambulance corps in Europe during World War One. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

When Cooper's most memorable hero, Leatherstocking, started an American tradition by setting off into the sunset in The Pioneers, one early reader said of his departure, "I longed to go with him." American readers couldn't get enough of the Leatherstocking saga (collected in two Library of America volumes) and, fourteen years after he portrayed the death of Natty Bumppo in The Prairie, Cooper brought him back in The Pathfinder, or The Inland Sea (1841). During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father's station on the Great Lakes, where the French and their Indian allies are plotting a treacherous ambush. Here, for the first time, he falls in love with a woman, before Cooper manages bring off Leatherstocking's most poignant, and perhaps his most revealing, escape. The Deerslayer (1842) brings the saga full circle and follows the young Natty on his first warpath. Instinctively gifted in the arts of the forest, pious in his respect for the unspoiled wilderness on which he loves to gaze, honorable to friend and foe alike, stoic under torture, and cool under fire, the young Leatherstocking emerges as Cooper's noblest figure of the American frontier. Enacting a rite of passage both for its hero and for the culture he comes to represent, this last book in the series glows with a timelessness that readers everywhere will find enchanting. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This is the second of two Library of America volumes (the companion volume here) presenting, in compact form, all seven parts of Francis Parkman’s monumental narrative history of the struggle for control of the American continent. Thirty years in the writing, Parkman’s “history of the American forest” is an accomplishment hardly less awesome than the explorations and adventures he so vividly describes. The story reaches its climax with the fatal confrontation of two great commanders at Quebec’s Plains of Abraham—and a daring stratagem that would determine the future of a continent. Count Frontenac and New France under Louis XIV (1877) details how France might have won her imperial struggle with England. Frontenac, a courtier who was made governor of New France by that most sagacious of monarchs, oversaw the colony’s brightest era of growth and influence. Had Canada’s later governors possessed his administrative skill and personal force, his sense of diplomacy and political talent, or his grasp of the uses of power in a modern world, the English colonies to the south might have become part of what Frontenac saw as a continental scheme of French dominion. England’s American colonies flourished, while France, in both the Old World and the New, declined from its greatness of the late seventeenth century. Conflict over the developing western regions of North America erupted in a series of colonial wars. As narrated by Parkman in A Half-Century of Conflict (1892), these American campaigns, while only part of a larger, global struggle, prepared the colonies for the American Revolution. In Montcalm and Wolfe (1884) Parkman describes the fatal confrontation of the two great French and English commanders whose climactic battle marked the end of French power in America. As the English colonies cooperated for their own defense, they began to realize their common interests, their relative strength, and their unique position. In this imperial war of European powers we also begin to see the American figures—Benjamin Franklin, George Washington—soon to occupy a historical stage of their own. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Collected in this Library of America volume (and its companion) for the first time, Henry James’s travel books and essays display his distinctive charm and vivacity of style, his sensuous response to the beauty of place, and his penetrating, sometimes sardonically amusing analysis of national characteristics and customs. Observant, alert, imaginative, these works remain unsurpassed guides to the countries they describe, and they form an important part of James’s extraordinary achievement in literature. This volume brings together James’s writing on Great Britain and America. The essays of English Hours (1905) convey the freshness of James’s “wonderments and judgments and emotions” on first encountering the country that became his adopted home for half a century. James includes the vivid account of a New Year’s weekend at a perfectly appointed country house, midsummer dog days in London, and the spectacle of the Derby at Epsom. Joseph Pennell’s delightful illustrations, which appeared in the original edition, are reprinted with James’s text. In The American Scene (1907) James revisits his native country after a twenty-year absence, traveling throughout the eastern United States from Boston to Florida. James’s poignant rediscovery of what remained of the New York of his childhood (“the precious stretch of street between Washington Square and Fourteenth Street”) contrasts with his impression of the modern, commercial New York, a new city representing “a particular type of dauntless power.” Edmund Wilson, who praised The American Scene’s “magnificent solidity and brilliance,” remarked that “it was as if. . . his emotions had suddenly been given scope, his genius for expression liberated.” Sixteen essays on traveling in England, Scotland, and America conclude this volume. The essays, most of which have never been collected, range from early pieces on London, Saratoga, and Newport, to articles on World War One that are among James’s final writings. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Abraham lincoln measured the promise—and cost—of American freedom in lucid and extraordinarily moving prose, famous for its native wit, simple dignity of expressions, and peculiarly American flavor. This volume, with its companion, Abraham Lincoln: Speeches and Writing 1859–1865, comprises the most comprehensive selection ever published. over 240 speeches, letters, and drafts take Lincoln from rural law practice to national prominence, and chart his emergence as an eloquent antislavery advocate and defender of the constitution. included are the complete Lincoln-Douglas debates, perhaps the most famous confrontation in American political history.

A collection of writings from and about New England’s Great Awakening—a spiritual movement that gave rise to American evangelicalism—from the theologian and philosopher who first reported it to the masses Jonathan Edwards (1703–1758) is recognized today as a great theologian and philosopher. In his own day Edwards was best known as a leader of what is now known as the Great Awakening: a series of small-town revivals that mushroomed into a movement credited with giving birth to American evangelicalism and laying the groundwork for the American Revolution. In authoritative texts drawn from first editions and manuscript sources, this volume brings together all of Edwards’s essential writings from and about the revivals, including the famous sermon “Sinners in the Hands of an Angry God” and his vivid Faithful Narrative of the Surprising Work of God in the Conversion of Many Hundreds of Souls, the work that first publicized the awakenings. Characterized by precise logic and powerful imagery, his writing continues to inspire students and spiritual seekers alike. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.