The fullest single volume work of reference on James's life and his interactions with the world around him.

Well known for his contrarianism and solitude, Henry David Thoreau was nonetheless deeply responsive to the world around him. His writings bear the traces of his wide-ranging reading, travels, political interests, and social influences. Henry David Thoreau in Context brings together leading scholars of Thoreau and nineteenth-century American literature and culture and presents original research, valuable synthesis of historical and scholarly sources, and innovative readings of Thoreau's texts. Across thirty-four chapters, this collection reveals a Thoreau deeply concerned with and shaped by a diverse range of environments, intellectual traditions, social issues, and modes of scientific practice. Essays also illuminate important posthumous contexts and consider the specific challenges of contextualizing Thoreau today. This collection provides a rich understanding of Thoreau and nineteenth-century American literature, political activism, and environmentalist thinking that will be a vital resource for students, teachers, scholars, and general readers.

Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits

Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.

A young woman starts working as a governess at the isolated estate of Bly outside London. There, she is greeted by the two orphaned children she is to take care of, an ambiguous housekeeper, and an icy, supernatural atmosphere. Soon, a couple of peculiar figures begin to appear unannounced, and a creeping horror tightens its grip on both the governess and the reader. The Turn of the Screw is one of the most classic ghost stories of all time, written by the master of the psychological novel, Henry James. Perhaps more than anyone from his time, James came to inspire our modern horror mythologies, from the image of innocence as evil to schizoid labyrinths a la Roman Polanski. HENRY JAMES [1843-1916] was born in New York but emigrated early to Europe. He is one of the most important names in Anglo-Saxon literature, renowned as a great stylist and as a link between the Victorian era and modernism. Among his most famous novels are The American [1877], Portrait of a Lady [1881], and especially The Turn of the Screw [1898].

Concise and illuminating articles explore Oscar Wilde's life and work in the context of the turbulent landscape of his time.

A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.