Heavy Radicals: The FBI's Secret War on America's Maoists is a history of the Revolutionary Union/Revolutionary Communist Party - the largest Maoist organization to arise in the US - from its origins in the explosive year of 1968, its expansion into a national organization in the early '70s, its extension into major industry throughout the early part of that decade, and the devastating schism in the aftermath of the death of Mao Tse-tung to its ultimate decline as the 1970s turned into the 1980s. From its beginnings the grouping was the focus of J. Edgar Hoover and other top FBI officials for an unrelenting array of operations: Informant penetration, setting organizations against each other, setting up phony communist collectives for infiltration and disruption, planting of phone taps and microphones in apartments, break-ins to steal membership lists, the use of FBI ‘friendly journalists’ such as Victor Riesel and Ed Montgomery to undermine the group, and much more. It is the story of a sizable section of the radicalized youth whose radicalism did not disappear at the end of the '60s, and of the FBI’s largest - and, up to now, untold - campaign against it.

The untold story of the FBI informants who penetrated the upper reaches of organizations such as the Communist Party, USA, the Black Panther Party, the Revolutionary Union and other groups labeled threats to the internal security of the United States. Sometime in the late fall/early winter of 1962, a document began circulating among members of the Communist Party USA based in the Chicago area, titled “Whither the Party of Lenin.” It was signed “The Ad Hoc Committee for Scientific Socialist Line.” This was not the work of factionally inclined CP comrades, but rather something springing from the counter-intelligence imagination of the FBI. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations — from generating "fake news" and the utilization of "sensitive intelligence methods" to the handling of "reliable sources" — that matches or exceeds the sophistication of any contenders.

The first book to document the efforts of the FBI against the most famous American folk singers of the mid-twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays and Burl Ives. Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government's repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.

During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy, Marxist feminist Vicki Garvin, and freedom fighters Mabel and Robert Williams—traveled and lived in China. There, they used a variety of media to express their solidarity with Chinese communism and to redefine the relationship between Asian struggles against imperialism and black American movements against social, racial, and economic injustice. In The East Is Black, Taj Frazier examines the ways in which these figures and the Chinese government embraced the idea of shared struggle against U.S. policies at home and abroad. He analyzes their diverse cultural output (newsletters, print journalism, radio broadcasts, political cartoons, lectures, and documentaries) to document how they imagined communist China’s role within a broader vision of a worldwide anticapitalist coalition against racism and imperialism.

The first in-depth study of the long march of the US New Left after 1968 The sixties were a time when radical movements learned to embrace twentieth-century Marxism. Revolution in the Air is the definitive study of this turning point, and examines what the resistance of today can learn from the legacies of Lenin, Mao and Che. It tells the story of the “new communist movement” which was the most racially integrated and fast-growing movement on the Left. Thousands of young activists, radicalized by the Vietnam War and Black Liberation, and spurred on by the Puerto Rican, Chicano and Asian-American movements, embraced a Third World oriented version of Marxism. These admirers of Mao, Che and Amilcar Cabral organized resistance to the Republican majorities of Nixon and Ford. By the 1980s these groups had either collapsed or become tiny shards of the dream of a Maoist world revolution. Taking issue with the idea of a division between an early “good sixties” and a later “bad sixties,” Max Elbaum is particularly concerned to reclaim the lessons of the new communist movement for today’s activists who, like their sixties’ predecessors, are coming of age at a time when the Left lacks mass support and is fragmented along racial lines. With a new foreward by Alicia Garza, cofounder of #BlackLivesMatter.

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First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.