Heathcliff and the Great Hunger examines Irish culture from Swift to Joyce, in the light of the tortuous, often tragic, history that conditioned it.

This work explores the interrelation of Irish political history and Irish literature. It discusses a host of unusual topics, from Shaw and science and Irish attitudes, to nature and the question of language, and a full-scale investigation of the Celtic revival.

This book offers a critical introduction to the relation between cities and literature (fiction, poetry and literary criticism) from the late eighteenth to twenty-first centuries. It examines examples of writing from Europe, North America and post-colonial countries, juxtaposed with key ideas from urban cultural and critical theories. Cities and Literature shows how literature frames real and imagined constructs and experiences of cities. Arranged thematically each chapter offers a narrative which introduces a number of key thinkers and writers whose vision illuminates the prevailing idea of the city at the time. The themes are extended or challenged by boxed cases of specific texts or images accompanied by short critical commentaries; the structure provides readers with a map of the terrain enabling connections across time and place within manageable limits, and offers elements of critical discussion to serve a growing number of university courses which involve the intersections of cities and literature. This volume offers access to literature from an urban perspective for the social sciences, and access to urbanism from a literary viewpoint. It is an excellent resource for both undergraduate and postgraduate students in the fields of urban studies and English literature, planning, cultural and human geographies, architecture, cultural studies and cultural policy.

Providing a new and stimulating conceptual framework for the study of Irish historiography, this book combines a theoretical approach with close analysis of important case studies and presents the first historical and theoretical examination of the trailblazer historians who, from 1938, spearheaded an unpoliticized Irish history

Ireland’s Great Famine in Irish-American History: Enshrining a Fateful Memory offers a new, concise interpretation of the history of the Irish in America. Author and distinguished professor Mary Kelly’s book is the first synthesized volume to track Ireland’s Great Famine within America’s immigrant history, and to consider the impact of the Famine on Irish ethnic identity between the mid-1800s and the end of the twentieth century. Moving beyond traditional emphases on Irish-American cornerstones such as church, party, and education, the book maps the Famine’s legacy over a century and a half of settlement and assimilation. This is the first attempt to contextualize a painful memory that has endured fitfully, and unquestionably, throughout Irish-American historical experience.

The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like ‘global homogenization’ and ‘postcolonial resistance’. Interwoven are considerations of the intellectual or writer’s position today. Literary texts from a wide range of countries are analysed for their resistance to global hegemony and for representations of manipulative power structures, in order to highlight issues such as environmental loss, nationality, migrancy, and marginality. Specific topics covered include ‘westernizing’ the Indian academy, ecotourism and the new media of computer technology, the corporatization of creativity in ‘re-branding’ New Zealand (including film), and the hybrid forms of Latin American photography. Writers discussed include Chinua Achebe, Samuel Beckett, Hafid Bouazza, Bei Dao, Mahmoud Darwish, Witi Ihimaera, James Joyce, Yann Martel, Rohinton Mistry, Ellen Ombre, Michael Ondaatje, George Orwell, Arundhati Roy, Salman Rushdie, and Edward Said. Different essays stress the hegemony of global networks; the technological revolution’s revitalizing of niche marketing while marginalizing postcolonial resistance; the implications of the internationalization of culture for the indigene; and the potential of cultural hybridity to collapse cultural hierarchies.