A young man stumbles into danger in his Brooklyn neighborhood in this “inspired” crime novel that is “part coming-of-age story, part thriller” (Entertainment Weekly). In working-class Bay Ridge, Michael drives for a car service and gives lifts to his father, a former sanitation worker and current small-time bookie. He has a friend with a heroin habit, and a longtime girlfriend who expects they’ll get married one of these days. Michael spends most of his time on the familiar streets where he grew up, but now he’s crossing the bridge into Manhattan for some college classes—where he meets a seductive female classmate who seems to come from a whole different world. He is pulled in two directions, but it seems like he has time to figure it all out—until he finds himself in the periphery of a murder that will change his destiny forever . . . “Sweet, sardonic and by turns hilarious and tragic . . . Powerfully describes the bonds between Michael and his father . . . The novel’s greatest achievement is its tender depiction of Michael as a would-be tough guy, trying to follow his father’s dictum of ‘Give them nothing,’ while undergoing a painful education in the real world.” —Publishers Weekly “Reads like an inspired cross between Richard Price’s Bloodbrothers and Ross Macdonald’s The Chill.” —Entertainment Weekly

Decade after decade, Yiddish proverbs continue to capture the humor, warmth, and traditions of Jewish life. Now, the beloved Yiddish Wisdom (more than 100,000 copies sold) has been expanded with even more proverbs and fresh illustrations to be cherished by a new generation. With more than 150 folk sayings translated in Yiddish and English—from the whimsical and witty (Dress up a broom and it will also look nice/Az men batziert a bezem iz er oich shain) to the poignant (When one must, one can/Az me muz, ken men) and practical (When you look to the heights, hold on to your hat/Az du kukst oif hoicheh zachen, halt tsu dos hitl)—this treasured volume is the perfect gift for any celebration.

A collection of short stories of rural Ireland in the classic Irish mode: full of love (and sex), melancholy and magic, bedecked in some of the most gorgeous prose being written today—from the author of the wildly acclaimed Night Boat to Tangier. With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

This epic Gothic Western about a half-Indian outcast who becomes a famous buffalo hunter is “a big sprawling novel of the West as it really was” (The Denver Post). Perhaps Joe Cobden was always destined to be an outcast. His Indian mother died in childbirth, alone on a stagecoach road under a pitch-black prairie sky. His white father abandoned him in the name of his own ambition. The wife of the doctor who adopted him despised him for his mixed race. His classmates teased him for his curved spine. Joe leaves nothing but pain behind as he lights out for the Kansas frontier. It is the 1870s and Joe makes a name for himself as a famed buffalo hunter, tracking a phantom white buffalo from the Mississippi River to the Rocky Mountains. But his glory days as “Joe Buffalo” die as quickly as the slaughtered herds, and he finds himself forced to settle in Valley Forge, where the townsfolk each hide their own twisted secrets. “[A] gutsy, raunchy, rough, blunt, down-to-earth (or mud) novel in which little is sacred,” Heart of the Country paints a broad panorama of a demythologized American West, populated with unforgettable—and often unforgivable—characters, brought to life with stunning imagery and bold, baroque prose (Los Angeles Times).

In this terrifyingly twisted thriller, a young couple discovers the horror held within their newly purchased dream house. It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome. That is, until their nearest neighbors, Dan and Lucy Steiner, come bearing more than housewarming gifts. Dan and Lucy warn Harry and Sasha of a malevolent spirit that lives in the valley, one that with every season will haunt them in fresh, ever-more-diabolical ways. At first, it seems like an old wives’ tale. But when spring arrives, so does the first evil manifestation, challenging everything Harry and Sasha thought they knew about the world. As each season passes, the spirit grows stronger, the land more sinister, and each encounter more dangerous. Will Harry and Sasha learn the true meaning of a forever home before it’s too late? Haunting and bone-chilling, Old Country is a spellbinding debut in the horror genre.

"This memoir's beauty is in its fierce intimacy." --Roy Hoffman, The New York Times Book Review One of Literary Hub's Most Anticipated Books of 2019 From the celebrated editor of This Bridge Called My Back, Cherríe Moraga charts her own coming-of-age alongside her mother’s decline, and also tells the larger story of the Mexican American diaspora. Native Country of the Heart: AMemoir is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child, along with her siblings, by their own father to pick cotton in California’s Imperial Valley. The daughter, Cherríe Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation. As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her life lessons about power, sex, and opportunity. As Moraga charts her mother’s journey—from impressionable young girl to battle-tested matriarch to, later on, an old woman suffering under the yoke of Alzheimer’s—she traces her own self-discovery of her gender-queer body and Lesbian identity, as well as her passion for activism and the history of her pueblo. As her mother’s memory fails, Moraga is driven to unearth forgotten remnants of a U.S. Mexican diaspora, its indigenous origins, and an American story of cultural loss. Poetically wrought and filled with insight into intergenerational trauma, Native Country of the Heart is a reckoning with white American history and a piercing love letter from a fearless daughter to the mother she will never lose.