A psychic and paranormalist takes readers on a ghostly tour of the historic city filled with southern charm—and southern spirits. Rumor has it that water—still or flowing—is a medium for paranormal activity. Residents of Greenville, South Carolina, have gathered at Falls Park on the river for generations, so it is no coincidence that this upstate city is teeming with spirits whose stories have yet to be told. From the aggressive spirits trapped in the 1920s grandeur of the Westin Poinsett Hotel to the moans of the wrongly accused Willie Earle, these ghosts have unfinished business. Watch as phantoms of children drift through the rows of Springwood Cemetery and discover what lurks behind the Tiffany stained-glass hallways of the Gassaway Mansion, as paranormalist and owner of Greenville Ghost Tours, Jason Profit, guides readers through the chilling past of this historic city with an entertaining collection of tales.

They scream in the night. They watch through the window. And sometimes they chase you right out of the woods. They are the Upstate's ghosts, and there are more of them than you think. While South Carolina's Lowcountry has a long and well-documented history with its spectral residents, the Upstate's phantoms have led quieter lives, or afterlives. But no more. In Ghosts of Upstate South Carolina, John Boyanoski, a reporter for the Greenville Journal, tells the true stories of the region's many haunted places. From Spartanburg to Union, from Anderson to Newberry, from Powdersville to Pickens, the South Carolina Upstate is haunted. Numerous ghosts and spirits haunt the Old Poinsett Bridge, and in Gaffney cries for help can still be heard from the victims of the Gaffney Strangler. Near Highway 11 there is a haunted tree. Even the squirrels won't go near it. In Greenville, a lynching victim still seeks vengeance, while wayward rocking chairs, a haunted balcony, and walled-off stairs to nowhere are just the start in Abbeville. In other towns there are ladies in white, a menacing hound, crying babies, spectral voices, a devil on a tombstone, floating lights, phantom brides, glowing red eyes, ghostly children who make the living want to hop and skip, and at least one specter who likes to play catch. Ghosts haunt the Upstate's roads and railroads, its hotels and theaters, its colleges and churches. (Youll be hard-pressed to find an Upstate college that isn't home to at least one.) And of course they haunt its homes. The ten ghosts at the Merridun Inn even throw their own Christmas party! And then theres the zombie.

A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

Barroom brawler ghosts, a ghost prayer group, Peeping Tom ghosts, a ghost who hates children, and even a ghost who didn't know he was dead are just a few of the wild assortment of characters in Echo Bodine's delightful new collection of true ghost stories. A psychic who has been hunting ghosts for 40 years, Bodine shares her story of how she became a ghost buster along with the stories of ghosts, hauntings, and possessions she encountered along the way. Wondering if those flickering lights, jangling door knobs, and mumbling sounds in the middle of the night mean you have a ghost? Bodine offers step-by-step instructions for getting rid of them along with clearing and protection prayers to keep them away. These funny, sometimes unnerving, and always entertaining stories will provide reassurance to anyone who has ever encountered things that go bump in the night.

Includes ghost stories from the Aiken-Rhett House, the Garden Theater, and the Cooper River Bridge.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

The Old South comes to supernatural life in this classic collection of chilling tales from the “custodian of the twilight zone” (Southern Living). Nancy Roberts, known as the “First Lady of American Folklore,” is a topnotch storyteller and one of the few who both write and tell their own stories. For more than two decades, Ms. Roberts has documented ghost stories and interviewed hundreds of people throughout the United States. A nationally known author of twenty-three books, Ms. Roberts began her career with a series of ghost stories written for The Charlotte Observer. Carl Sandburg sent her word that her stories were good, suggesting “they should be a book.” Since then her books have won her a certificate of commendation from the American Association for State and Local History and a nomination for the Great Western Writer’s Spur Award. The Haunted South includes tales about . . . An angel sighting in the North Carolina mountains A poltergeist occurrence that drew trainloads of spectators to Jessup, Georgia A ghostly warning in Atlanta presaging a major plane crash A North Carolina tavern where unsuspecting travelers were murdered An omen of death brought by South Carolina’s “Gray Lady” The apparition of an Alabama Railroad Robin Hood A ghost ship off North Carolina’s Outer Banks Praise for Nancy Roberts “Ghost hunter/author Nancy Roberts has put together as shivery a selection of other worldly tales as you’re likely to find anywhere . . . And whether you believe in ghosts or not, these tales are guaranteed to give you a chill, especially before you go into a dark room alone.” —Southern Living