DIVA groundbreaking interdisciplinary collection that rethinks the connection between the intimate and United States colonial and postcolonial histories./div

DIVA groundbreaking interdisciplinary collection that rethinks the connection between the intimate and United States colonial and postcolonial histories./div

Haunted Empire shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. Valeria Sobol argues that the persistent presence of Gothic tropes in the literature of the Russian Empire is a key literary form that enacts deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. Her book brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as she explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms "the imperial uncanny." Focusing on two spaces of the imperial uncanny—the Baltic north/Finland and the Ukrainian south—Haunted Empire reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.

The empire of Elesthene once spanned a continent, but its rise heralded the death of magic. It tore itself apart from within, leaving behind a patchwork of kingdoms struggling to rebuild. But when a new dictator, the ambitious and enigmatic Imperator Elgar, seizes power in the old capital and seeks to recreate the lost empire anew, the other kingdoms have little hope of stopping him. Prince Kelken of Reglay finds himself at odds with his father at his country’s darkest hour; the marquise of Esthrades is unmatched in politics and strategy, but she sits at a staggering military disadvantage. And Issamira, the most powerful of the free countries, has shut itself off from the conflict, thrown into confusion by the disappearance of its crown prince and the ensuing struggle for succession. Everything seems aligned in Elgar’s favor, but when he presses a band of insignificant but skilled alley-dwellers into his service for a mission of the greatest secrecy, they find an unexpected opportunity to alter the balance of power in the war. Through their actions and those of the remaining royals, they may uncover not just a way to defeat Elgar, but also a deeper truth about their world’s lost history. Set in a fantastical world that is both welcomingly familiar and excitingly unique, The Empire's Ghost shows nobles and commoners alike struggling to survive and maintain power in an ever changing, chaotic world.

Former Wall Street Journal technology reporter Yukari Iwatani Kane delves deep inside Apple in the two years since Steve Jobs’s death, revealing the tensions and challenges CEO Tim Cook and his team face as they try to sustain Jobs’s vision and keep the company moving forward. Steve Jobs's death raised one of the most pressing questions in the tech and business worlds: Could Apple stay great without its iconic leader? Many inside the company were eager to prove that Apple could be just as innovative as it had been under Jobs. Others were painfully aware of the immense challenge ahead. As its business has become more complex and global, Apple has come under intense scrutiny, much of it critical. Maintaining market leadership has become crucial as it tries to conquer new frontiers and satisfy the public's insatiable appetite for "insanely great” products. Based on over two hundred interviews with current and former executives, business partners, Apple watchers and others, Haunted Empire is an illuminating portrait of Apple today that offers clues to its future. With nuanced insights and colorful details that only a seasoned journalist could glean, Kane goes beyond the myths and headlines. She explores Tim Cook’s leadership and its impact on Jobs’s loyal lieutenants, new product development, and Apple’s relationships with Wall Street, the government, tech rivals, suppliers, the media, and consumers. Hard-hitting yet fair, Haunted Empire reveals the perils and opportunities an iconic company faces when it loses its visionary leader.

This book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.

"... containing the names and the disposition made of more than 20,000 pictures, from ... May 15th, 1915, up to the end of the year 1917. This list will be supplemented by further lists presented at the end of each half yearly period."--Pennsylvania. State Board of Censors of Moving Pictures. Report, 1918, p. 7.